Street: What in particular drew you to Saviano's book and made you want to turn it into a screenplay?
Maurizio Braucci: Before becoming a screenwriter I was a novelist.
The trite title of this sprawling family portrait may conjure images of mistletoe kisses and cozy family dinners, but viewer beware, A Christmas Tale is no Dickens novel.
Consider the assaultive title just the tip of the big screwed-up iceberg that is Towelhead, Alan Ball's disturbing portrait of a 13-year-old Lebanese-American girl's coming-of-age in a Texas suburb during the Gulf War.
If Philadelphia were to play a role in a teen sex comedy, it would play the girl who can't get a date for the prom - a Molly Ringwald character who somehow goes unnoticed by everybody except one weirdo (seriously, M.
Pride is so faithful to the sports underdog movie formula that a plot summary seems unnecessary. Let's instead imagine a montage sequence, much like the ones interspersed throughout the movie: begin with the run-down Philadelphia Department of Recreation on the brink of closure.
Kal Penn proves that he's capable of more than Van Wilder in The Namesake, an intimate portrait of a displaced Bengali immigrant couple forced to cope with isolation and culture shock while raising a son and daughter in Boston.
Billy Bob Thornton walks briskly into the Jefferson Conference Room at the Philadelphia Four Seasons Hotel and approaches one of two round tables draped in white tablecloths.
In Breach, the weight of the movie rests on the shoulders of stars Ryan Phillippe and Chris Cooper. Unfortunately, only one of them delivers.
Phillippe plays Eric O'Neill, a young FBI operative assigned to clerk for - and spy on - Robert Hanssen (Cooper), who is under investigation for sexual deviance.