Following the critical successes of the Maximum Black EP in 1999 and the People Get Ready LP in 2000, garage-rockers The Mooney Suzuki looked poised to walk down fame's yellow brick road - the White Stripes holding one hand and The Strokes the other.
For whatever reason, that happy dream didn't quite materialize for The Mooney Suzuki.
In contrast to the experimental proclivities of his more "freakish" Drag City labelmates (John Fahey, Six Organs of Admittance, White Magic), the more traditional folk of Scottish singer and guitarist Alasdair Roberts seems tame, and perhaps even quaint.