Jonathan Wilson

Ever so often a movie comes along that not only has the ability to excite but also the potential to make its viewers empathize, and, in the case of “Charlie Countryman,” it is certainly easy to do so with the title character (Shia LaBeouf). A whole new take on the phrase “that escalated quickly,” Charlie finds himself on a plane to Bucharest, Romania on the orders of his mother’s ghost, with instructions from the man who died while sitting next to him on the plane to find his daughter.
November 17, 2013 at 3:53 pm

It’s feeding time, and Mother Monster isn’t holding any reservations with her servings on “Artpop.” The album is a roller coaster of its own making.
November 14, 2013 at 5:39 am

Sometimes you can only picture a show with a particular soundtrack. That's synesthesia, yo.
October 26, 2013 at 12:00 pm

The slow beat and sentimental lyrics from “Adore You,” the first track of Miley’s new album “Bangerz,” show Miley’s maturation into a true singer.
October 17, 2013 at 5:42 am

Perfection is what we all aspire to, and though Kodaline misses the bullseye, they come very close.
October 17, 2013 at 5:28 am

Biopics are a tough film category to tackle—they are either great, à la “8 Mile,” or fall short like 50 Cent’s “Get Rich or Die Tryin’.” However, “Kill Your Darlings” manages to find its place right in the middle.
October 17, 2013 at 5:15 am

Veteran musician Moby’s electronic pop once again hits the bullseye with his newest album, “Innocents.” “Everything That Rises” starts the album off perfectly with just acoustics.
October 4, 2013 at 11:52 am

“Sinister” is true horror at its finest.
October 14, 2012 at 12:37 pm

Senior Julie Waters worked in the Original Movies department at Lifetime Networks this summer, getting an inside look into what the female–targeted television station was up to.
October 11, 2012 at 5:15 am