Best way to be your own Indiana Jones:
Resurrect Dead: The Mystery of the Toynbee Tiles
April 27
6:00–9:30 p.m.
Gallery309
309 Cherry St.
The Toynbee Tiles are a remarkable phenomenon, particularly within Philadelphia.
With Mirror, Mirror and Wrath of the Titans both being released this week, Street decided to take a look back at some of the most (in)famous remakes of the past couple of decades.
Each week, we interview a Cinema Studies professor on their relationship with film. First up is Christopher Donovan, sci–fi connoisseur and House Dean of Gregory. Be sure to check 34st.com for the full interview.
Because you’re busy, and because free time— like most other times — has been unfortunately consumed by the internet, we let you know how to use Netflix to the fullest.
You may have heard of Kurt Vile — his presence on the Philadelphia music scene (he’s a native) is undeniably significant, and his woozy folk–rock jams have made him a mainstay in the indie scene at large.
1. Dosage Was a Surprise, And a Pleasant One, Too
When the DP published a cover story on SPEC’s inability to peg down a fourth artist for Spring Fling, it was hard not to feel a bit disappointed. Many, including your friendly music editors, were searching for a performer with more artistic pedigree. Probably a larger contingent was hoping for a headliner with a bigger headlining name. Dosage—the Philadelphia rapper of little fame who has toured with Lupe Fiasco in the past—filled neither of these needs. But what he did do is arguably more important: he added a degree of serendipity and randomness to the most regimented brand of live music.
Stepping on stage before Ratatat (and before most concertgoers had even arrived) Dosage’s set was a high-energy affair, masking his somewhat mediocre lyricism with a basic knack for performance. Most students had no idea who this rapper was (trust us, we asked around), but this shouldn’t matter. Everyone knows what to expect at a Spring Fling concert: Two or three artists will play, at least two will give a ra-ra shout-out to Penn, at least one will get the name of the school wrong (we’re looking at you, Snoop Dogg), at least a dozen kids will get carted off in ambulances and at least everyone will make a drunken, stoned mess of themselves. What Dosage brought was something different—an unannounced opener, he took the audience off-guard. And at a concert as predictable as Spring Fling, it’s probably the coolest thing he could have done.
2.
Best Introduction to a Feature in the Music Section
In the spirit of this issue, we've compiled a list of the memorable music happenings so far this year, from Penn to the the wider world. Read on for our picks:
Best Acoustic Song So Far This Year
“Pictures” by Benjamin Francis Leftwich
“Pictures” has it all — soothing, multi–tracked vocals, a dreamlike aesthetic and calming guitar work.
The release of Submarine, a teen angst dramedy, and its soundtrack (written by the Arctic Monkeys’ Alex Turner) got us thinking about how soundtracks can interact with movies, and how some soundtracks can even stand alone, outlasting the films themselves.
Aside from the mild hysteria surrounding the Spring Fling artist announcement (and the inevitable disappointment), most Penn students remain unaware of a generally brilliant crop of indie and hip–hop shows put on by SPEC each year.
The latest in this series comes to The ARCH tonight, courtesy of SPEC Jazz + Grooves and IMG.