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Music

Venues N' Shit: TLA

Stemming from the off-brand glamour of South Street, the TLA has come into its own as one of the city’s most venerable music venues.

by 34TH STREET

Review: Mark Ronson, Record Collection

As one of those rare producers who become visible stars, Mark Ronson is constantly setting high expectations.

by 34TH STREET

Defibrillator: Ted Leo & The Pharmacist, "Timorous Me," (2001)

As a teenager, I had a minor love affair with Ted Leo. His pop punk anthems soundtracked my learning to drive, I never missed one of his frequent D.C.

by 34TH STREET

Interview: Broken Social Scene

Street: How has the tour been going? Charles Spearin: Good. It seems like a never ending tour.

by 34TH STREET

Guilty Pleasures: R. Kelly's Discography

Most guilty pleasures are more “embarrassing pleasures,” but I really do feel guilty for liking R.

by 34TH STREET

Review: Wake Up!, John Legend And The Roots

Wake Up! sounds like a match made in heaven: alumnus crooner John Legend got together with Philly favorite The Roots for a politically driven covers album.

by 34TH STREET

Venues N' Shit: The Electric Factory

Every issue, we’ll be giving an in-depth look at a different Philadelphia music venue. This week, we start with one of the city’s most iconic: The Electric Factory. Philadelphians are a group prone to repurposing: they’ve successfully recast a simple meat sandwich as a nationally renowned icon (cheesesteaks); made existing near one of the world's biggest cities as a cause for celebration (being 90 miles from NYC) and turned a handful of otherwise grungy city blocks into one of the nation’s most beautiful college campuses (your future alma mater). So it makes sense that one of the city’s most beloved (and well-known) musical venues is The Electric Factory, which used to be, well, an electric factory.

by 34TH STREET

In The News

M.I.A. has announced the dates for her latest tour. She’ll be stopping at the Electric Factory on Sep.

by 34TH STREET

Defibrillator: LFO, "Summer Girls" (1999)

Music has had myriad purposes in my life, but only one song has ever turned me onto a clothing line.

by 34TH STREET

Review: Interpol, Interpol

Rockers stay moody on self-titled album Paul Banks has the second most ominous voice in indie rock today (Tom Smith of Editors takes first prize). While Interpol has surely crafted valuable tracks in the past the part of them that is most singularly Interpol is Banks’s cavernous, almost nefarious bellow.

by 34TH STREET

Review: Lisbon, The Walkmen

On their latest LP, indie rock veterans get lost in the details. As coy and ironic as the modern indie landscape may be, The Walkmen have always aimed for the gut of both their fan base and their steady, shifting musical output.

by 34TH STREET

Summer In Music

We know that by now, summer seems like a sad, distant memory. As you struggle to get into the school grind, take a look back at some of summer’s happenings in music both in Philly and beyond.

by 34TH STREET

The 2010 Summer Playlist

1. Danger Mouse & Sparklehorse — "Revenge" 2. Lady Gaga — "Teeth" 3. Sleigh Bells — "Rill Rill" 4. Big Boi — "Shutterbugg" 5. Wavves — "Post-Acid" 6. Kanye West — "Power" 7. LCD Soundsystem — "Drunk Girls" 8. Foals — "Miami" 9. Neon Indian — "Deadbeat Summer" 10. M.I.A.

by LUCY MCGUIGAN

Q+A - Netherfriends

Netherfriends is Shawn Rosenblatt, a 23-year-old Chicagoan-via-Suburban Philadelphia who produces buoyant psychedelic pop that ranges from frustrated to ecstatic in tone.

by DANIEL FELSENTHAL

Q+A - Here We Go Magic

Born out of a bedroom psych-folk project by singer-guitarist Luke Temple, Here We Go Magic has bloomed into a buzzworthy indie rock act with two albums under its belt.

by DANIEL FELSENTHAL

The Edge of Darkness

Like a typical suburban family’s home, Dark Night of the Soul is a collaboration on multiple levels.

by 34TH STREET

You Can Ring My Bell

For the most part, tracing the genealogy of most current cutting-edge bands is pretty straightforward.

by JOE PINSKER

Stop Forkin' Around

CHICAGO — Over the past several years, the Pitchfork Music Festival in Chicago’s Union Park has valiantly worked to separate itself from the usual crop of summer festivals, attracting attendees with an ear for interesting bands and a yearning for more comfortable, personal concert experiences.

by DANIEL FELSENTHAL

Oh My Goddess

The sound that dominates today’s dance floor is a heady mixture of R&B and techno, whose building beats and naughty lyrics are best characterized by the likes of Lady Gaga, Rihanna and Ke$ha, the new divas of nightlife.

by ANNIE NAYAK

In the Flesh

In yet another summer of Gaga’s reign, it’s nearly impossible for any other female artist to avoid the dreaded comparison.

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