There really isn’t anything that’s not controversial or polarizing about Kanye West. You’d be hard–pressed to find someone who doesn’t think he’s an asshole, but somehow his assholery can make him even more appealing — not just as a musician, but as a cultural icon.
Blue Lebaron by Real Estate
Real Estate opened its set with instrumental–only “Blue Lebaron” at the Rotunda on Friday, the same day the band posted a demo of the track on its blog.
Cymbals Eat Guitars, a rock band from Staten Island, will bless Penn with its presence tomorrow night.For those of you who couldn’t get enough of what they had to say in the magazine, here’s an extended version of the interview.
When Toni Braxton’s lover, Tyson, died in a studly motorcycle accident, she belted out “Un–break My Heart.” I rediscovered the hit when I sat in on a friend’s 90s–themed college radio show.
End–of–year lists in the music world gain credibility by doing one of two things: they either compile a bunch of albums that have already been validated with critical acclaim, or they include obscure bands just to score some indie cred.
January 11 was a good day for music — Britney Spears dropped her new single “Hold it Against Me,” and Kanye West and Jay–Z released “H.A.M.” A few days after, 'Ye tweeted, “Yo Britney, I’m really happy for you and I’mma let you be #1, but me and Jay–Z single is one of the best songs of all time.” Sorry, Kanye: while we might have agreed with you on the whole Beyonce/Taylor Swift thing, we’re not as persuaded by your latest effort.
“H.A.M.” is the first official single off the rap heavyweights’ joint EP, Watch the Throne, and stands for “hard as a mothafucka.” The track has all the bounce of Jay–Z’s best work, but Kanye’s verse is among his worst: his lazy flow sounds like a failed freestyle and features themes he’s covered better elsewhere.