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Film & TV

Plenty of Impact

Street took a minute to sit down and speak with directors Justin Schein and Laura Gabbert to discuss their latest film, No Impact Man, and its impact on the environmental community.

by SCOTT DZIALO

So Much For Sisterhood

Cat fights, date rape drugs and nudity. At the state school to end all state schools, the Theta Pi sisters sure know how to bring the drama. After a silly prank ends in a girl’s death, the sorority queen bee (Leah Pipes) convinces her sisters to dump the body into an abandoned mine shaft.

by JAYME CHEN

Going Green

Despite the recent “eco-movement,” few trendy environmentalists would consider trying Colin Beavan’s (the self-proclaimed “No Impact Man”) approach to reducing our environmental footprint: no electricity, no new clothing and possessions, only locally-grown food and no energy-guzzling transportation for a whole year.

by SCOTT DZIALO

MAXimum Debauchery

This past year, the box-office has been inundated with a host of so-called “buddy comedies” — films focused on male camaraderie that an overexposure to testosterone inspires.

by LUCY MCGUIGAN

Guilty Pleasures: Hairspray (2007)

Who wouldn’t love John Travolta in drag and Zac Efron with a Jheri curl? Adam Shankman’s adaptation of the Broadway smash Hairspray hit the big screen with the same impact it had on the stage.

by HILARY MILLER

Best in Show

Turning a beloved Broadway musical into a Hollywood film isn’t as easy as you’d think. On screen, stage productions expand onto full sets, often with A-list stars and big-name directors.

by 34TH STREET

Exposing Anna

Street: What led you to make a documentary about Vogue and Anna Wintour? Cutler: Anna is this extraordinary cultural figure.

by MICHAEL GOLD

In Vogue

Director R.J. Cutler’s The September Issue is a fly-on-the-wall look into the life of the elusive Vogue editor Anna Wintour.

by MICHAEL GOLD

Guilty Pleasures: Bridget Jones' Diary (2001)

Thirty, single and overweight. Every woman’s worst nightmare is Bridget Jones’s reality. Renée Zellweger stars as the awkward yet adorable heroine who keeps a diary to record her endeavors to lose weight, stop smoking and find Mr. Right.

by MARIA JOSE LAMADRID

Weighty Roles

As Matt Damon demonstrated this week, sometimes even movie stars sacrifice their typically enviable bodies for the sake of their roles.

by TUCKER JOHNS

Bon Appetit!

Before the blogosphere blew up, Julie Powell started the Julie/Julia Project in 2002. The objective?

by ,

British Satire Comes Stateside

If Monty Python wasn’t evidence enough, In The Loop is proof that the Brits are comedic geniuses.

by MICHAEL GOLD

Seraphine

With seven French Academy Awards to its name, Seraphine might be the year’s most honored film.

by MICHAEL GOLD

Model of the Sümmer

It’s impossible not to compare Bruno with Sacha Baron Cohen’s last mockumentary, Borat. It follows the same formula of staging pranks on the most appalling examples of American citizens.

by LUCY MCGUIGAN

What Never Works

Looking back at classics that glorify New York like Annie Hall and Manhattan, Woody Allen lovers were eager for the return to his beloved hometown.

by ANNETTE DONOFRIO

Going, Going, Gone

There’s something to be said for the perfect road trip. Dashing away to “find yourself” in the grand tradition of Kerouac is an oft-invoked cinematic theme.

by JULIE STEINBERG

Sign us Up

We all have that friend who thinks he’s the only person in the world who can truly appreciate subtitles.

by PAUL RICHARDS

If Life Gives You Lemons...

Palestinian widow Salma Zidane (Hiam Abbass) is tending to her lemon grove when Israeli Defense Minister Navon (Doron Tavory) moves into the upscale home across the street.

by ,

Days of Our (College) Lives

Get accepted. Getting into college is tougher than it used to be, so you may need to resort to stealing the SATs.

by JULIE STEINBERG

Guilty Pleasure: Frequency (2000)

It’s impossible to describe the plot of Frequency without sounding like a raving lunatic, but I’ll do my best.

by ,

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