Ahead of the 5th annual Greater Philadelphia Student Film Festival (GPSFF), Street sat down with Abhi Modi (Engineering/Wharton ‘11), who gave us the scoop on this entirely student-run venture.
3 Stars
Directed by: Raymond De Felitta
Starring: Andy Garcia, Alan Arkin, Emily Mortimer
Rated PG-13, 100 min.
A charming movie about a dysfunctional family from a fishing village in the Bronx, City Island is a quintessential low-budget delight.
2 Stars
Directed by: Steve Pink
Starring: John Cusack, Rob Corddry
Rated R, 100 min.
Sometimes, all you want to do is see a movie that doesn’t require too much thinking.
You have a knife. The other guy doesn’t. How do you kill him? That’s right, cut open your stomach and strangle him with your own intestines (because that makes sense).
In the near future (i.e.
The lights of Hollywood may be a far cry from our West Philly campus, but that hasn’t stopped Penn alumni from diving into every part of the film industry.
Last year, many film lovers were outraged that the Swedish vampire masterpiece Let the Right One In didn’t score an Academy Award nomination for “Best Foreign Language Film.” However, Oscar voters were not to blame.
For a film based on the well-known attempt by a set of climbers to scale the north face of the Eiger in 1936, the German-made thriller North Face perfects the art of the cliffhanger (literally) — even for an audience aware of the ultimate historical outcome.
From the moment the main characters Toni Kurz (Benno Furmann) and Andi Hintertoisser (Florian Lukas) — two Nazi soldiers who prefer pitons over pistols — approach the deathly Eiger, director Philipp Stolzl crafts the story of the climber’s ascent with visual and emotional precision.
With the group of climbers clinging to a mass of rock by the most inconsequential of steel and rope, dodging avalanches and taking a frostbitten beating from the fickle weather, Stolzl brings the audience to the mountain, piecing together the infamous story in the process.
This becomes most evident in the scenes off the mountain; where the storyline strays from original accounts of the expedition, it struggles the most.
According to Don Argott’s riveting documentary The Art of the Steal, one of the biggest thefts of recent memory was conducted not by masked men with guns, but by Philadelphia’s own elected officials.
Roman Polanski has directed yet another cinematic success with The Ghost Writer, a political thriller — and adaptation of Robert Harris’s book of the same name — that acutely delves into the lives of its high-powered characters, isolated from their country and the rest of the world on a secluded, bleak and wintry Massachusetts island compound.
A few years ago, I watched Raging Bull on a whim. Having finally appreciated a movie not starring Will Ferrell, I vowed to make my way through the rest of Martin Scorsese’s greatest hits.