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Film & TV

Review: Just Go With It

Aniston and Sandler depart from their usual characters

by MOLLY SPRAYREGEN

Street Does Bieber High, Drunk and Sober

Never Say Never screened last night at midnight, and Street was there with our 3D glasses.

by 34TH STREET

Interview: Channing Tatum

Channing Tatum is trying his hand at the period–piece in his new film, The Eagle. Street spoke with Tatum about the unique challenges of playing a legendary warrior, hide–and–seek and filming in the cold. Street: What did you do to get ready for the movie? Channing Tatum: I was obviously going to have to ride horses and fight with swords and stuff, but I had at least a little experience in both of those areas.

by ALEX HOSENBALL

Review: Oscar Nominated Animated Shorts

Despite their limited releases, short films still have the power to make or break an attempt to win an Oscar pool.

by 34TH STREET

Review: Oscar Nominated Live Action Shorts

Despite their limited releases, short films still have the power to make or break an attempt to win an Oscar pool.

by 34TH STREET

Defibrillator: Death and the Maiden (1994)

Roman Polanski’s 1994 adaptation of the Ariel Dorfman play is an effortless exploration of suspicion, trauma and paranoia.

by CHRISTIAN GRAHAM

Sports Movie Playoffs Bracket

[media-credit name=" " align="alignright" width="600"][/media-credit] Click here for an interactive bracket

by MICHAEL GOLD

Coming Soon to a Theater Near You ...

Street takes a look at some of the Sundance selections coming soon to a theater near you, because you wouldn’t want to be the last to catch the next Little Miss Sunshine or The Kids are Alright.

by ,

Review: Biutiful

Javier Bardem is remarkable in Innaritu's biutifully shot yet overbearing drama.

by NICK STERGIOPOULOS

Interview: Leighton Meester

Gossip Girl Leighton Meester is branching out this year with high–profile roles in Country Strong and The Roommate. Meester took time out of her busy schedule to chat with Street on the latter film, discussing mental illness, roommates and your favorite guilty pleasure TV show. Street: What was it like trying to play the villain in your first thriller? Leighton Meester: It’s funny — I saw the movie with a couple of my friends, and they were asking me, “how did you like it?”, and I was saying “it’s scary.” I was genuinely scared at points, but it is sort of funny that I’m what’s scary in the movie.

by SHELBY RACHLEFF

Deja Vu: Welcome to the Taco Bell

Oh, Taco Bell. First, there was the incessant rumor that the company turned its beloved mascot into a chalupa.

by MICHAEL GOLD

The Power of the Poster

In honor of The Mechanic’s poster (check out our review of the movie), Street offers up some of its picks for the most striking, visually effective movie posters of recent and bygone years. [photospace] - - -

by ,

Review: Another Year

Someone get these Brits some Zoloft.

by TUCKER JOHNS

Family (Hit) Men

Considering they make a living by murdering mafiosos and cutting down crime lords, it’s surprising that most Hollywood hit men are such good family members.

by ,

Review: The Mechanic

Inquiries on assassinations only.

by SHELBY RACHLEFF

Review: The Rite

This movie could use an exorcism.

by MICHAEL RUBIN

Guilty Pleasures: Heathers (1988)

To no one’s surprise, Mean Girls 2 (yes, it exists) didn’t live up to the high expectations set by its predecessor.

by MEG SCHNEIDER

Interview: Director of Blue Valentine

Street chatted with Derek Cianfrance about Tom Waits, ukuleles and that pesky NC-17 rating.

by ,

Review: No Strings Attached

Portman needs more than carrots.

by 34TH STREET

The Ins and Outs of 2011

If there is one lesson film critics learned in 2010, it was that bad movies can’t be masked by 3D glasses or devoted comic book fans.

by MICHAEL GOLD

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