Film & TV
Film
The Kids Are Alright: Reviewing Marvel's New TV Shows
Superhumans hit the small screen with vengeance.
by JONNELL BURKE
Television
Can’t–Miss Episodes of Black Mirror
What to watch and what to skip in Netflix's creepy anthology series.
by CAROLINE HARRIS
Television
The Best and Worst Ads of Super Bowl 2018
From Cardi B's chirps to Ram's bastardization of an MLK Jr. speech.
by JENNIFER CULLEN
Film
When Netflix Gets Creepy With Your Viewing Habits
Who is watching you while you’re watching?
by ANA WEST
Film
'Thelma and Louise': Two Girls, One Gun, and a Lack of Intersectional Feminism
What we can learn about Hollywood’s progress (or lack of it) from Thelma & Louise.
by NAOMI ELEGANT
Film
Mystery TV Shows That Will Make You Want to Call Your Mom
Crime dramas that will make you think, feel, and shiver.
by ANA WEST
Film
Penn Students vs. Woody Harrelson: A Q&A Session
Harrelson visited Penn this past weekend to discuss acting, weed, and his directorial debut.
by CAT DRAGOI
Film
Is American Netflix the Worst?
Examining the differences in Netflix offerings across countries
by SOPHIE XI
Film
Shamelessly Bad Movies to Watch During the Award Season Slump
Butter churning, murder, teen pregnancies, and more.
by ANA WEST
Television
TV's Best Penn References
How accurate are the Penn references in your favorite TV shows?
by TAMARA GELBAND
Film
‘Lost in London’: Woody Harrelson Discusses His Directorial Debut with Street
How “one of the top five worst nights” of his life turned into a full–length live–film.
by CAT DRAGOI
Film
Web Series You’re Almost Cool Enough to Watch Ironically: Black Girl in a Big Dress
Black and Ultra Bougie: Some Black Girls Wear Petticoats, Too
by JONNELL BURKE
Film
Club Spotlight: Bent Button Productions
An inside look at Penn’s only student filmmaking club.
by NAOMI ELEGANT
Film
Trump Was the Star of Late Night Comedy in 2017
How late night comedians tackled Trump.
by ANA WEST
Film
The Past, Present, and Future of Documentary Cinema
CIMS Professor Timothy Corrigan discusses the rise and power of the documentary genre.
by AVNEET RANDHAWA
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