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Film & TV

What's Wrong With Hollywood?: The Aftermath of 'Avengers: Endgame'

Production studios are desperately trying—and failing—to recreate the success of the highest grossing movie of all time.

by SAMANTHA SANDERS

'Falling Inn Love' is a Waste of 98 Minutes

Poorly used clichés and regressive gender roles make this romantic comedy entirely unwatchable. 

by ANA HALLMAN

The Timothée Chalamet Phenomenon

Why is the world so obsessed with this young actor, and is that a good thing?

by ANNA COLLINS

Cashing In On Spider–Man: A Battle Between Marvel and Sony

The fate of Spidey within Marvel's Cinematic Universe is uncertain. How have we gotten here?

by ANNA COLLINS

'Once Upon a Time... in Hollywood' and Tarantino's Violence Against Women

Tarantino's latest film not only treats women poorly, it delights in violence against them.

by ANNA COLLINS

'Wet Hot American Summer': The Peak of Camp

Be sure to watch this cult classic as a last hurrah for summer.

by ANNA COLLINS

The Best Songs from Euphoria's Season One Soundtrack

Fill your back to school playlist with songs from the breakout show of the summer.

by TERESA XIE

Hulu's "Catch-22" is an Admirable Adaption of Joseph Heller's Iconic Novel

There's no catch, Hulu's "Catch-22" is a much watch. 

by JULIA DAVIES

Hulu’s 'Harlots' is Sexy, Scandalous, and Super Progressive

The historical drama breathes life into the stories of poor, brown, and LGBTQ women in the 18th century. 

by CHELSEY ZHU

'Toy Story 4': The Truth of Growing Up

In this familiar sequel, Pixar trades a traditional villain for the pitfalls of adulthood. 

by JESSICA BAO

'Yesterday' Falls Short of Beatles' Level Success

Without the magic of the Fab Four, the movie is far from fabulous.

by JULIA DAVIES

Spider-Man: Far From Home Is a Good Movie Limited by Its Own Universe

A solid Spidey film that buckles under the weight of the MCU.

by JESSICA BAO

Season Eight of MTV’s “Are You The One?” is Sexy, Progressive, and Definitely Binge–Worthy

Season eight's sexually fluid cast means that anyone can love anyone—and drama will definitely ensue.

by SOPHIA SCHULZ-RUSNACKO

How HBO's "Euphoria" is Changing Television

A look at the show's use of controversiality for authenticity. 

by MEHEK BOPARAI

A Golden Age for Women in Stand–Up Comedy

A woman's place is in the comedy club.

by JULIA DAVIES

Movies @ The Mann: A Summer With Music and Movie Magic

Enjoy a live orchestra accompanying your favorite films.

by JESSICA BAO

'Midsommar' and the Rise of Folk Horror

After 'Hereditary,' all eyes are on Ari Aster to see if he can do it again—this time with a different sub–genre. 

by SOPHIA SCHULZ-RUSNACKO

'Everybody Knows' Is a Poignant and Relevant Family Drama

A worthwhile glimpse into Spain's present feudalistic hierarchy. 

by ANA HALLMAN

Netflix's 'Tuca & Bertie' is the Animated Feminist Comedy That You Can't Miss

With two female birds at the helm, this Netflix original soars to new heights.

by JULIA DAVIES

Sex in Hollywood: A Look at the Female Orgasm

How film misconstrues the reality of sex. 

by SHRIYA BEESAM

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