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Film & TV

‘The Apprentice’ Isn’t About President Donald Trump

From biopics to fictionalized political dramas, the ethics of politics–as–entertainment are murky waters—and this Trump picture’s politics are far from clear.

by ISAAC POLLOCK

Street's Favorite Film & TV of 2024

From sex–worker–centric rom–com fake–outs, to animated tearjerkers for kids, to a peek into what life is like for Whartonites post–Penn, here's what Street has been watching this year.

by 34TH STREET MAGAZINE

Jewish Identity in 'The Brutalist' and 'A Real Pain'

At the 33rd Philadelphia Film Festival, Brady Corbet and Jesse Eisenberg bring their approaches to age old questions.

by ADEN BERGER

‘Woman of the Hour’ Brings New Appreciation for Psychological Thrillers

From novel reading to Netflix’s “New on Netflix” section, psychological thrillers have quickly become a staple horror movie genre.

by SOPHIA LEONG

Between God and the Abyss: Korean Horror’s Dance with Faith and Madness

What happens when faith fails, vengeance becomes god, and the monsters aren’t in the shadows but in the mirror?

by KATE CHO

‘Veronica Mars’ Did Feminine Rage Before it was Cool

Celebrating twenty years of TV’s best not–so–bubbly blonde.

by ISAAC POLLOCK

Why is Ridley Scott Getting Ignored Again?

Just once, I would like to see the legendary director get properly appreciated in his time.

by ADEN BERGER

I Cried When I Saw 'The Wild Robot' And You Will Too

DreamWorks? More like waterworks!

by KYLE GRGECIC

'Kingdom': The Living Dead and the Nation’s Death Rattle

In this Korean series, zombies devouring people is an allegory for how power can devour the very society it seeks to preserve.

by KATE CHO

A Love Letter to 'Wicked'

'Wicked' may just be the best movie musical to hit theaters… ever.

by SOPHIA LEONG

Culture, Community, and the Rise of the Global Right at the New York Film Festival

What the festival's picks had to say about identity in the face of isolation.

by ISAAC POLLOCK and BEA HAMMAM

Between the Sheets and the Shackles at the 33rd Philadelphia Film Festival

Four movies' gritty look at how society controls sexuality in all the wrong ways.

by KATE CHO

‘Why Not You?’: Rob Sharenow at the Kelly Writers House

A reflection on Rob Sharenow’s talk at the Kelly Writers House about his ambiguous path to success in creative media.

by EVA LITITSKAIA

Spending Seasons in Stars Hollow

Gilmore Girls is a fall show, says Penn. But why?

by SOPHIA LEONG

'Devilman Crybaby' and The Degeneracy of the Human Body

The horrific, the erotic, and the depths of human nature.

by RIA REGE

'Anora': A Dark Cinderella Story

Sean Baker’s subversion of the classic modern fairytale goes much deeper than the prince and the castle.

by JACKSON ZUERCHER

'Seeking Mavis Beacon': The Silent Faces of Innovation

A journey to uncover Renée L’Espérance’s legacy becomes a celebration of Black innovation, creativity, and identity in Seeking Mavis Beacon.

by FIONA HERZOG

Why Joker: Folie à Deux Misses The Mark

Too somber to be a decent pop culture movie, too superficial to be a decent arthouse movie. 

by EVA LITITSKAIA

Dress To Impress for the Movies

Going to the movies is a special event. Why not dress up for the occasion?

by SOPHIA LEONG

The Flip Side of Fixer Upper: HGTV and Gentrification

Are home makeovers and house flipping reality TV as glamorous as we think?

by DIEMMY DANG