Film & TV
Television
Geometry in Love: Love Triangles on The Screen
A popular rom–com trope has found its way onto screens and into the hearts of audiences.
by SOPHIA LEONG
Film
Why Do Career Narratives Drive Oscar Awards?
At the Oscars, real life stories are just as important as those on film.
by DEREK WONG
Television
Hundreds of Tiny Relationships Cannot Replace Renée Rapp
Consider swiping left on season three of The Sex Lives of College Girls.
by BEA HAMMAM
Film
Who are the Oscars for?
From smear campaigns to cult parody accounts, this year’s Oscars are more populist than ever.
by ISAAC POLLOCK
Film
'Babygirl' Isn’t Actually a Girlboss Fantasy
What happens when a woman makes a terrible decision just because she wants to?
by KATE CHO
Film
Steven Soderbergh Refuses to be Boring
As most directors of his generation are slowing down, Soderbergh continues to be one of the most interesting people in Hollywood.
by ADEN BERGER
Television
‘Severance’ Episode Six: Conquerors and Consequences
Over halfway into the season, triangles become squares, and two become one.
by ISAAC POLLOCK
Film
Up With ‘Down With Love’
What an underappreciated 20–year–old rom–com has to say about love, feminism, and mag writing.
by ISAAC POLLOCK
Film
There Never Was, Nor Will Be, Another David Lynch
Cinema lost one of its signature artistic voices.
by ADEN BERGER
Television
This Week on 'Severance'
Season Two of this Apple TV corporate thriller has me seeing double. Here's an ongoing recap to keep all the data in its proper boxes, updated every week.
by ISAAC POLLOCK
Film
Street Predicts the Oscars
The film connoisseurs of Street discuss nomination controversies, snubs, and favorites ahead of the award ceremony.
by 34TH STREET MAGAZINE
Television
‘Severance’ Episode Five: A Trojan’s Horse, an Ominous Whistle
‘Severance’ Episode Five: A Trojan’s Horse, an Ominous Whistle
by ISAAC POLLOCK
Television
‘Severance’ Episode Four Recap: The Protestant Work Ethic
In 'Woe's Hollow,' the innies try touching grass and find they don’t like how it feels.
by ISAAC POLLOCK
Television
‘Who is Alive?’ And Who is on the Severed Floor?
Episode three of the second season of ‘Severance’ introduces new variables and questions about identity.
by ISAAC POLLOCK
Television
'Goodbye, Mrs. Selvig'; Hello, the rest of the outies.
The second episode of Severance’s second season provides a few crucial answers and asks a few gripping questions.
by ISAAC POLLOCK
Television
‘Severance’ Season Two Recap, Episode One: Welcome back to Hell…y?
The second season of the hit TV show is off to a gut–roiling start.
by ISAAC POLLOCK
Television
‘The Batman’ Meets ‘The Godfather’
How HBO’s The Penguin bends genre to create something new.
by RIA REGE
Film
‘I'm Still Here’ Explores When Personal Loss Becomes Political
The Oscar–nominated Brazilian film is a gripping portrayal of loss, resilience, and the fight for justice.
by LUIZA LOUBACK
Film
‘The Apprentice’ Isn’t About President Donald Trump
From biopics to fictionalized political dramas, the ethics of politics–as–entertainment are murky waters—and this Trump picture’s politics are far from clear.
by ISAAC POLLOCK
Film
Street's Favorite Film & TV of 2024
From sex–worker–centric rom–com fake–outs, to animated tearjerkers for kids, to a peek into what life is like for Whartonites post–Penn, here's what Street has been watching this year.
by 34TH STREET MAGAZINE
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