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Arts & Entertainment

A Look Back at the Golden Age of Hip–Hop Sampling

Sampling's not “a longer term for theft." It’s art. 

by SADIE DANIEL

Sequels Suck and So Does Lil Uzi’s ‘Eternal Atake 2’

Where the original album blasted off, Uzi’s newest project crashes and burns.

by JETT BOLKER

‘The Apprentice’ Isn’t About President Donald Trump

From biopics to fictionalized political dramas, the ethics of politics–as–entertainment are murky waters—and this Trump picture’s politics are far from clear.

by ISAAC POLLOCK

Street’s Best Albums of 2024

From breakout hits to sleeper picks, Street brings you the hottest records of the year. 

by 34TH STREET MAGAZINE

Street's Favorite Film & TV of 2024

From sex–worker–centric rom–com fake–outs, to animated tearjerkers for kids, to a peek into what life is like for Whartonites post–Penn, here's what Street has been watching this year.

by 34TH STREET MAGAZINE

Orientalism and the Limits of Reimagining

Matthew Ozawa’s satirical reimagining of the classic "Madama Butterfly" subverts orientalism but at the cost of artistic merit.

by KYUNGHWAN LIM

Millionaires Go Bananas!

The infamous banana duct–taped to a wall was sold for $6.2 million. 

by PRIYANKA AGARWAL

Jewish Identity in 'The Brutalist' and 'A Real Pain'

At the 33rd Philadelphia Film Festival, Brady Corbet and Jesse Eisenberg bring their approaches to age old questions.

by ADEN BERGER

(A Sampling Of) The Best Rap Albums From 2024

From the overground, the underground, and everywhere in between

by WILL CAI

‘Woman of the Hour’ Brings New Appreciation for Psychological Thrillers

From novel reading to Netflix’s “New on Netflix” section, psychological thrillers have quickly become a staple horror movie genre.

by SOPHIA LEONG

Between God and the Abyss: Korean Horror’s Dance with Faith and Madness

What happens when faith fails, vengeance becomes god, and the monsters aren’t in the shadows but in the mirror?

by KATE CHO

‘Veronica Mars’ Did Feminine Rage Before it was Cool

Celebrating twenty years of TV’s best not–so–bubbly blonde.

by ISAAC POLLOCK

Why is Ridley Scott Getting Ignored Again?

Just once, I would like to see the legendary director get properly appreciated in his time.

by ADEN BERGER

Printmaking in a Garage

Grab a sketch, a screen, some sun, and a makeshift squeegee, and you’re set to screen print.

by KAYLA KARMANOS

I Cried When I Saw 'The Wild Robot' And You Will Too

DreamWorks? More like waterworks!

by KYLE GRGECIC

'Kingdom': The Living Dead and the Nation’s Death Rattle

In this Korean series, zombies devouring people is an allegory for how power can devour the very society it seeks to preserve.

by KATE CHO

Yeat Flatlines On ‘Lyfestyle’

The revolutionary rage artist’s latest album fails to capitalize on any of his greatest strengths.

by WILL CAI

A Sonic Journey through the American Soul

Joshua Redman and his ensemble brought the heart of American music to life at Penn Live Arts. 

by GRIFFIN PITT

A Love Letter to 'Wicked'

'Wicked' may just be the best movie musical to hit theaters… ever.

by SOPHIA LEONG

Culture, Community, and the Rise of the Global Right at the New York Film Festival

What the festival's picks had to say about identity in the face of isolation.

by ISAAC POLLOCK and BEA HAMMAM