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Arts & Entertainment

What Are Artist–Themed Dance Parties Anyway?

As COVID–19 restrictions eased, fans make their way to clubs to participate in "dance parties" playing their favorite artists' music. 

by FERNANDA BRIZUELA

WILLOW Stands on the Shoulders of Punk Rock Giants on 'lately i feel EVERYTHING'

Like the rest of us, Willow is done with 2020.

by PEYTON TOUPS

Jack Antonoff Shares His Love for New Jersey on ‘Take the Sadness Out of Saturday Night’

On his third solo album, Antonoff shifts away from his increasingly repetitive production style.

by EVAN QIANG

Billie Eilish is Happier Than Ever, and that’s Saying Something.

The pop wunderkind matures on her sophomore album.

by PEYTON TOUPS

It's Doja Cat's Universe, and We’re Just Living in It

For the most part, the full–time popstar/part–time troll doesn’t chase trends on her new album, ‘Planet Her.’

by WALDEN GREEN

Halsey, Rihanna, and The Cult of Celebrity

Is there a way to appreciate Halsey's latest era without buying into celebrity bullshit?

by PEYTON TOUPS

Marvel's Recent Foray into Television Isn't Just Exciting—It's Revolutionary

Marvel's newest projects continue to expand on the franchise's appeal, while reinventing its legacy. 

by AAKRUTI GANESHAN

Janicza Bravo’s ‘@Zola’ is Tweet–Sized and Instagram–Ready

The film is as alluring and immersive (and sometimes just as unfulfilling) as scrolling through social media.

by WALDEN GREEN

Debunking 'Criminal Minds'

In preparation for the show's long–awaited reboot, Street is taking a look at how 'Criminal Minds' skews our perception of real–world criminal profiling.

by EMILY MOON

Dear USAG: Treat Your Gymnasts Better

On ‘Golden’: a glimpse into the lives of elite gymnasts that reveals the corrupt organization behind them.

by EVAN QIANG

Vince Staples Centers Himself on His Self–Titled Album

Coming off of years of innovative and avant–garde hits, expectations were high for Staples' latest project. So why didn’t he show up? 

by PEYTON TOUPS

MIKE Reshapes Rap’s Anatomy on ‘Disco!’

The 22-year-old rapper and producer pushes the boundaries of an already diverse genre.

by EVAN QIANG

‘Hacks’ Celebrates The Legacies of its Star Characters

For a show about stand-up comedians, the HBO Max original doesn’t shy away from weighty subjects.

by WALDEN GREEN

Michelle Zauner Honors Her Mother and Her Heritage With 'Crying in H Mart'

"Crying in H Mart" is more than a memoir—it's a testament to familial love.

by EMILY MOON

How the Billboard Charts Became a Battleground for Stans and Label Executives

Each week, a new winner prevails. The cost? Up to $100,000.

by EVAN QIANG

Wolf Alice Returns with Their Magnum Opus ‘Blue Weekend’

The band takes the listener on an enthralling tale through the mayhem of life.

by EVAN QIANG

Jack Antonoff. Please Stop.

A plea for new voices in pop music.

by PEYTON TOUPS

Two White Horses

When music becomes memory...

by WALDEN GREEN

It's Time to Reform Award Shows

Ratings have reached new lows. Nominees are boycotting. Are award shows over?

by EVAN QIANG

Disney's 'Cruella' is Full of Flair, but Fails to Pack a Punch

Cruella starts with a bang but fizzles at the end.

by PEYTON TOUPS

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