At a time when pop culture phenomena like Paris Hilton and Hulk Hogan's daughter are relentlessly promoting their debut albums, the idea of the remake doesn't sound all that bad.
Take Johnny Cash's cover of Nine Inch Nails' "Hurt," for instance.
Some good CDs make you smile, some make you dance, and some make you cry.
Emily Haines's Knives Don't Have Your Back belongs in the last category: bittersweet, but infectious all the same.
The U.S. vs. John Lennon traces pop star John Lennon's metamorphosis from mop-topped singer to one of the most eminent cultural icons of the 1970s.
During that decade, his antiwar actions garnered media attention and the wrath of the Nixon administration, which persecuted Lennon by following, wiretapping and attempting to deport him.
Aside from the political story, Lennon shows the passionate, complex relationship Lennon shared with his wife, Yoko Ono.
The second coming of 2005's indie darlings Clap Your Hands Say Yeah is upon us. And while the alt-rock prophets will wait with baited blogs until the January 30 release date, don't expect lead singer and Philadelphia native Alec Ounsworth to indulge their rapture.
Very little of Johnny Was is typical, least of all its genesis. Produced and financed by Ben Katz (Wharton and Nursing '01, MBA '02), the film provides a down-and-dirty look at a violent urban ghetto in the United Kingdom - and launches the filmmaking career of a notable Penn grad.
With Johnny, Katz, still in his mid-20s, establishes himself as something of a Renaissance man in the independent film scene.
Based on the Robert Penn Warren novel and following the 1949 film, All the King's Men depicts the rise and fall of Governor Willie Stark (Sean Penn) through the eyes of his right-hand man, former-journalist Jack Burden (Jude Law). Burden follows Stark through his gubernatorial candidacy, and the corruption that follows his ascent to power through demagoguery.
Jackass: Number Two's Johnny Knoxville and Bam Margera have made a living filming outrageous stunts that violate all notions of common sense and self-preservation.
A scene in the endearingly obnoxious 2002 movie, The Rules of Attraction, shows a small college's "End of the World" party, and the background tunage is the Rapture's "Out of the Races and onto the Tracks." Shindigs that feature burning wicker men as their main attraction are usually fodder for that Wicca guy you met once (and never again). But with that kind of booty-shakin' song playing in the background, you'd be a fool not to go.
The Black Dahlia
Direted by: Brian De Palma
Starring: Josh Hartnett, Scarlett Johanssen, Aaron Eckhart
Rated: R
A film of murder, obsession, love and deception, Brian De Palma's The Black Dahlia is a throwback to the trench coat-sporting detective stories of Raymond Chandler and Dashiell Hammett.
Zach Braff swept young audiences off their feet in Scrubs and Garden State. This week, Braff - starring in the new romantic drama The Last Kiss, opening tomorrow - discussed music, marriage and his latest film with the editors.
Street: As a director from Garden State, was it a relief to go back to acting on film?
Hollywoodland
Direted by: Allen Coulter Starring: Adrien Brody, Diane Lane, Ben Affleck
Rated: R
Hollywoodland follows the tragic suicide of George Reeves, television's Superman in the 1950s.
From the time I left campus last spring until June 14, I had Radiohead on my mind. Mine was an obsession that verged on downright mania, transforming my usually tepid opinions into axioms and outright platitudes.