It starts off well enough. This film, from the directors of There's Something About Mary, is all set to provide a humorous commentary on the dangers of listening to others when it comes to important, life-altering decisions.
Street: Sum up your band in an offensive quote.
Zach: We're explosive like Iran.
Street: Why should anyone in his right mind come see Leviathan perform?
Zach: I prefer they come not in their right minds.
Ben: When was the last time someone heard a Leviathan?
The Assassination of Jesse James by the Coward Robert Ford, director Dominik's second feature, is so good I couldn't bring myself to leave the theatre for a bathroom break when my bladder, only 40 minutes into the 2+ hour film, screamed full.
White Collar:
Persepolis: Highly stylized animation set to an off-beat rendition of "Eye of the Tiger" makes for an extremely entertaining trailer, even though the English trailer isn't out yet.
This film, from the director of Kramer vs. Kramer, asks the question: Is love just a trick nature plays on us or is it the only meaning there is to this crazy world?
As an angst-addled adolescent, my favorite Nirvana song was "Oh, Me" from the MTV Unplugged record. When I eventually replaced cassette with CD, I discovered in the liner notes that "Oh, Me" and two other tracks were in fact Meat Puppets covers.
If Philadelphia were to play a role in a teen sex comedy, it would play the girl who can't get a date for the prom - a Molly Ringwald character who somehow goes unnoticed by everybody except one weirdo (seriously, M.
Let's recap: This is the Canadian folk singer-songwriter's first proper new release in seven years, she is signed to Starbucks' Hear Music label and her voice has grown noticeably huskier.
As a nine-year-old, the Smashing Pumpkins' epic double-disc Mellon Collie and the Infinite Sadness made me feel so uncomfortable that I went back to Strawberries and returned it.
Animal Collective
Strawberry Jam
2/5 Stars
Animal Collective is back with the same non-rhythmic, glitchy sounds they explored on their last full-length, Feels.
If you choose to slip into the film's phantasmagoric and stunningly beautiful aesthetic, Across the Universe will transport you to a trippy 1960s dreamscape.
Julie Taymor, director of Across the Universe, strives to transcend. With roots in theater, opera, puppetry and television, her productions - like the hugely popular Broadway production of The Lion King - reflect a layered and dynamic artist.