At the risk of losing respect and friendship, I would like to turn your attention to a movie that I thoroughly enjoyed watching: Spice World, or as some call it, "that stupid Spice Girls marketing device."
Those negative Nancies do have a point.
Sometimes we wonder what our high school friends have been doing with their lives. Recently, I checked up on two pals of mine, Brian McElhaney and Nick Kocher, who were notorious comedians within our Atlantan community.
Tonight: Vampire Weekend
First Unitarian Church, All Ages
Vampire Weekend turns out indie-pop gems with a touch of afro-pop (see our review on page 15). These Ivy League grads just signed a deal with XL Recordings and are poised to explode on the scene.
Here are some words I'm not going to use in the following article: day-glo, nerd, neon, hallucinatory, spastic, spazz, demented, frenzy, wacky, ebullient, man-child, shenanigans, awesome.
Charizma &
Peanut Butter Wolf
Big Shots
2003
The "hip-hop pioneer" title is generally attributed to a limited pool of late '80s and early '90s MCs, depending on subjective standards.
Neil McCormick and Brian Lackey of Mysterious Skin: Neil, a soulless teenage hustler + Brian, an introverted and coddled 18-year-old + alien abductions + repressed dark memories = a raw, graphic and seriously depressing and disturbing film with intense performances by its lead actors Joseph Gordon-Levitt (Brick) and Brady Corbet (Thirteen).
Dawn Wiener of Welcome to the Dollhouse: Dawn, an unattractive, awkward and certified 7th grade loser + an adorable little sister + absent-minded parents + unrequited love for a cool guitar player + the "Special People Club" = a quotable, coming of age, dark comedy that makes you cower at the thought of middle school.
Duncan Mudge of The Mudge Boy: Duncan, a quiet, sheltered farm boy + his unusual desire to mimic his dead mother + an unlikely friendship with a tough, neighborhood boy + a question of sexuality = a poignant film featuring a stunning performance by Emile Hirsch in the title role.
As Americans, we fancy ourselves as having monopolized postmodernist existential angst. But Theo Angelopoulos's 1988 masterpiece Landscape in the Mist plaintively reminds us that we are not alone in our search for meaning in a bleak universe.
The Bedlam in Goliath, the fourth full-length studio release by The Mars Volta, introduces listeners to a new sound -- a modification of the direction taken by the group on their last release, 2006's Amputechture.
Dancing to Michael Jackson's "Thriller" is acceptable only twice during the average person's lifetime: for the duration of 1983 and at your brother's bar mitzvah.
The Starlight Ballroom was designed for dancing. As you walk into the place, a disco ball throws deceiving patterns of colored light on the wide dance floor, informing you that you didn't come here to stand still.