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Arts & Entertainment

Defibrillator: Blackstreet, "No Diggity" (1996)

With its slow, sensual guitar riff and that hypnotic humming, Blackstreet’s “No Diggity” worked its way into my seven-year-old heart.

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Different Strokes

In the first half of the aughts, it wouldn’t have been ridiculous to say that the media compared 80% of New York bands to the Strokes.

by JOE PINSKER

One Track Mind: 11.5.09

In the 12 years since the debut of “I Believe I Can Fly,” there’s been a void in motivational, mainstream R&B.

by ELENA GOORAY

When Metal and Genius Collide

In the vast world of metal, few bands have the versatility of North Carolina’s Between the Buried and Me.

by SEBASTIAN MODAK

Defibrillator: Soundgarden, "Superunknown" (1994)

Opening with a blast of searing guitar, Soundgarden’s Superunknown grabs you by the throat and doesn’t let go for upwards of 70 minutes.

by RONNIE DISIMONE

Bringing Indie to Irvine

And we're pretty excited about it. The concert goes down in Irvine Auditorium tomorrow night at 8:30, so make sure to get your tickets ASAP.

by 34TH STREET

Ahh, Real Aliens!

Think of The Fourth Kind as the illegitimate child of The Blair Witch Project and Alien. Presented in a faux-documentary style, Olatunde Osunsanmi’s first feature follows Dr. Abigail Tyler (Milla Jovovich) as she investigates alien abductions in the small town of Nome, Alaska.

by ROCIO NUNEZ

Blank Stare

In case you were wondering, staring at random farm animals isn’t exactly thrilling. Not that barnyard voyeurism is the primary subject of The Men Who Stare at Goats, but it features more than enough to go around. The first major studio film by character actor Grant Heslov, Goats follows reporter Bob Wilton (Ewan McGregor) as he ventures on a whim to the Middle East in an attempt to impress his estranged wife.

by TUCKER JOHNS

Guilty Pleasures: Hancock (2008)

What more can a guy ask for than a comedy with flying people and explosions? John Hancock (Will Smith) is a misunderstood lowlife with Superman-like powers who not only stops crime but also smashes buildings and cars for fun.

by JONAH STERN

Ready to Rumble

As The Men Who Stare at Goats demonstrates this week, there’s no right way to represent a war on the big screen.

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Royal Ghosts of Ancient Iraq

Ah, the Penn Museum. It’s so close, and yet so difficult to motivate yourself to visit. If you haven’t set foot inside the picturesque South Street locale since your freshman year toga party, consider checking out the museum’s fascinating new exhibit: Iraq’s Ancient Past: Rediscovering Ur’s Royal Cemetery.

by LAURA JOHNSON

Flying High

Evoking something between Itzhak Perlman and Ian Anderson of Jethro Tull, Chicago-based singer/songwriter/violinist Andrew Bird took the stage on Sunday night clad in a scarf, a tattered suit coat and no shoes.

by RONNIE DISIMONE

Second-Rate Island

Even though Flight of the Conchords predated Andy Samberg’s The Lonely Island, I Told You I Was Freaky feels slightly worn-out; Flight of the Conchords is a novelty act that’s no longer novel.

by JOE PINSKER

Defibrillator: Elvis Costello, "My Aim is True"

I spent much of my teenage years being pissy and rebellious. Not pissy in the emo way, or rebellious in the cool way, just a little dissatisfied and willing to espouse my contrarian beliefs to anyone who would listen.

by DANIEL FELSENTHAL

For the iPod in Your Head

In 2009, what makes good hip hop? It can be a tricky question for young MCs who, like most college students, were barely old enough to speak when the genre had its golden age in the late ‘80s and early ‘90s.

by ELENA GOORAY

Artist to Watch: Jared Evan

In what seemed like a blink of an eye, rapper Jared Siegel dropped his last name, started hanging out with Diddy and got signed to Interscope Records.

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What A Thrill

To say that This Is It has emerged as the most anticipated film of the year is an understatement.

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Guilty Pleasures: Flash Gordon (1980)

There’s no escaping it: Flash Gordon is pretty awful. Given the franchise’s sci-fi pulp serial origins, this sub-par quality isn’t exactly shocking.

by STUART MILNE

Behind the Lens

One of the most important relationships on a film set is between the actor and the director. Actors depend on directors to portray their characters with insight, while directors rely on actors to convert their creative visions into a reality.

by PRATIMA BHATTACHARYYA

Into the Sky

At some point or another, almost everyone has marveled over the journey and mystery of Amelia Earheart.

by SCOTT DZIALO

PennConnects

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