Broken Bells, the side project of The Shins’ team captain James Mercer and masterful producer Danger Mouse may have been doomed from the beginning: it seems impossible that the project would live up to the sheer awesomeness of its component parts.
Not to sound like your mom or anything, but summer is fast approaching. And, if you’re anything like us, you’ve decided to forgo the OCR path in hopes of something better.
When I was in ninth grade, one of my friends told me that she heard Billy Corgan was an asshole.
I responded angrily and cued up “Rocket” on my clunky iPod.
It’s about time we all started believing in ghosts. In the posthumous release of Valleys of Neptune, the phantom of Jimi Hendrix has entered the airwaves to show that forty years on, he still deserves one of the highest thrones in the pantheon of rock deities.
Last year, many film lovers were outraged that the Swedish vampire masterpiece Let the Right One In didn’t score an Academy Award nomination for “Best Foreign Language Film.” However, Oscar voters were not to blame.
It’s easy to forget that there is a whole musical world out there full of artists who are taking their own traditional styles and fashioning them into contemporary masterpieces that challenge our preconceptions of what music is, has been and will be.
It is all too easy to buy into the one-dimensional cult of genius that surrounds the Spanish painter Pablo Picasso and is propagated by art historians, intellectuals and sometimes, the artist himself.
A collaboration between DJ Green Lantern, the former DJ for Eminem’s Shady Records, and Styles P of The LOX, The Green Ghost Project sounds exactly like what it is: a bunch of talented guys coming together to make hip-hop they themselves would actually listen to.
K-Os has always been one of those artists on the brink of success. Maybe it’s his Canadian heritage that’s holding him back; his smooth hip-hop has swiftly flown under the musical radar for nearly all of his 17-year career.
For a film based on the well-known attempt by a set of climbers to scale the north face of the Eiger in 1936, the German-made thriller North Face perfects the art of the cliffhanger (literally) — even for an audience aware of the ultimate historical outcome.
From the moment the main characters Toni Kurz (Benno Furmann) and Andi Hintertoisser (Florian Lukas) — two Nazi soldiers who prefer pitons over pistols — approach the deathly Eiger, director Philipp Stolzl crafts the story of the climber’s ascent with visual and emotional precision.
With the group of climbers clinging to a mass of rock by the most inconsequential of steel and rope, dodging avalanches and taking a frostbitten beating from the fickle weather, Stolzl brings the audience to the mountain, piecing together the infamous story in the process.
This becomes most evident in the scenes off the mountain; where the storyline strays from original accounts of the expedition, it struggles the most.