Last week, super-diva Jennifer Lopez, wacky rocker Steven Tyler and music industry vet Jimmy Iovine were announced as the new American Idol judges, joining longtime Idol kingpin Randy Jackson.
It was easy to miss the release of “White Moon,” even for discerning indie fans: the track was snuck in the middle of an iTunes Session EP that came out a month ago.
ARTS
Now — October 12: Judith Leiber: The Art of the Handbag, The Galleries at Moore College of Art and Design, Free
These days if you catch someone carrying a Judith Leiber bag they are most likely a mother, a grandmother, or a gin-swilling Connecticut yuppie.
Sure, you ain't no Banksy, but Arts has your back. This week, we show you how to DIY
Materials:
• One roll .003” acetate drafting film (available at Blick and other art supply stores)
• An Exacto knife
• A can of spray paint (we used Montana)
• A computer with a graphics editing program (if you don’t have one, download Gimp.
Wake Up! sounds like a match made in heaven: alumnus crooner John Legend got together with Philly favorite The Roots for a politically driven covers album.
Every issue, we’ll be giving an in-depth look at a different Philadelphia music venue. This week, we start with one of the city’s most iconic: The Electric Factory.
Philadelphians are a group prone to repurposing: they’ve successfully recast a simple meat sandwich as a nationally renowned icon (cheesesteaks); made existing near one of the world's biggest cities as a cause for celebration (being 90 miles from NYC) and turned a handful of otherwise grungy city blocks into one of the nation’s most beautiful college campuses (your future alma mater). So it makes sense that one of the city’s most beloved (and well-known) musical venues is The Electric Factory, which used to be, well, an electric factory.
“Why won’t anyone take me seriously?” asks Joaquin Phoenix in I’m Still Here, a “documentary” about the star’s bizarre transition from acting to rapping.
Alexander McQueen’s passing in February was easily the biggest tragedy to hit the fashion world since the Orange Mocha Frappuccino “Wake Me Up Before You Go-Go” gasoline freak fire of ’01.
Not to be outdone by their fictional Zoolander counterparts, the fashion elite gathered this week in a virtual reenactment of Rufus, Brint and Meekus's funeral to pay tribute to the late designer.
Anna Wintour delivered the heartfelt eugoogly, no doubt sporting her signature sunglasses, mirroring Derek’s unforgettable blue-steel tinted frames.
Naomi Campbell channeled Katinka Ingabogovinanana in feathers, dressed as a Greek fury.
Sarah Jessica Parker, keeping it somber with a tasteful beehive not topping out at more than 10 or 12 inches, might have cast a critical eye at her fellow mourners, asking in typical voice-over fashion: “I couldn’t help but wonder, were these people here to pay tribute to a great man, or to try and one-up each other with their batshit crazy getups?”
But what does it matter, Carrie?
At Hailsham academy, Kathy (Mulligan), Ruth (Knightley) and Tommy (Garfield) live in a world of Orwellian euphemisms — they are “special” children predestined to make “donations” until “completion.” While not as subtle as Kazuo Ishiguro’s masterful novel, Mark Romanek’s adaptation of Never Let Me Go gradually reveals the grim fate that awaits these students, offering clues.
A little over a year ago, Penn alum Abdi Farah (‘09) was napping in Fisher Fine Arts. But since winning the first season of Bravo’s reality art competition, Work of Art, he’s become a household name, scored a solo show at the Brooklyn Museum and pocketed a cool hundred grand.
We're back in high school again
Easy A, the newest movie about high school, wants to be both a commentary on John Hughes-directed ‘80s films and itself a Hughes-directed movie.