January 11 was a good day for music — Britney Spears dropped her new single “Hold it Against Me,” and Kanye West and Jay–Z released “H.A.M.” A few days after, 'Ye tweeted, “Yo Britney, I’m really happy for you and I’mma let you be #1, but me and Jay–Z single is one of the best songs of all time.” Sorry, Kanye: while we might have agreed with you on the whole Beyonce/Taylor Swift thing, we’re not as persuaded by your latest effort.
“H.A.M.” is the first official single off the rap heavyweights’ joint EP, Watch the Throne, and stands for “hard as a mothafucka.” The track has all the bounce of Jay–Z’s best work, but Kanye’s verse is among his worst: his lazy flow sounds like a failed freestyle and features themes he’s covered better elsewhere.
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Friday, December 10: Big Daddy Charles and the Charlatans, with the Back Alley Sextet, Le Chat Noir, 5 cents
Big Daddy Charles hails from the Mississippi Delta, where he learned to play the gobble–pipe with the coolest cats on the Bayou.
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While we’re still years away from any comprehensive child labor legislation, one little girl is toiling away, and her hard work is paying off.
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Back during the Great War, while most of my pals back home were drinking and carousing, listening to that “jazz” music, I was stuck, cowering in a trench in France.
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By Floyd Alistair Wallace
Times sure ain’t peachy out there. Falling stocks, Dillinger’s violent escape from the Hotsquat and Dust Bowl winds that make the blizzard gusts in The Gold Rush look like hogwash are sure to make you want to crawl up in bed after collecting faggots for the fire.
But don’t be a total pansy.
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Let me tell you something: there ain’t a straight–shooter in Hollywood more ace than Charlie Chaplin!
I was no butter–and–egg man before the crash.
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On the eve of The Black Cat’s release, Street caught up with Bela Lugosi, who has been a Hollywood sensation since his 1931 performance as Count Dracula.
MUSIC
Friday Dec. 3: The Antlers with The Luyas, First Unitarian Church, $13
Brooklyn–based trio The Antlers started as the solo project of Peter Silberman, who recruited Michael Lerner and Darby Cicci to back him on drums and keys, respectively.