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Arts & Entertainment

Review: Rio

Animated flick never quite takes flight

by MICHAEL RUBIN

One Track Mind: Beyonce, “Girls (Who Run The World)”

So, Beyonce is back. And, apparently, still channeling her alter ego Sasha Fierce.

by ,

Wasting Nothing

The Foo Fighters return to form.

by JAKE SPINOWITZ

Musicologists Sound Off

Sometimes a superficial listen to today's pop music isn't enough. For a more comprehensive take, we turned to Penn's Music Department.

by JOE PINSKER

Let Your Creativity Flow

With the semester winding down and the long–awaited lovely weather coaxing us out of hibernation, Street looked around campus for some spots to read, write or draw.

by ALEXANDRA JAFFE

School's Out

Interning in a strange city this summer? Relaxing in the burbs? Take some time to check out the lesser–known art destinations in and away from Philadelphia.

by 34TH STREET

Not-Quite-Fantastic Mr. Fox

Flannely folk group falls somewhat short of past greatness.

by KILEY BENSE

International Art at Home

1911: a year in which Paris saw passion and greatness intertwine to redefine the path of art and creativity.

by ISABEL OLIVERES

Summer's Hot Flicks

Though summer is the most lucrative period of the year for the film industry, the quality of summer movies seems to be inversely proportional to the profit.

by ,

Guilty Pleasure: St. Elmo's Fire (1985)

In five days, Penn’s seniors will have their last day of college classes.

by MICHAEL GOLD

Review: Water for Elephants

R–Patz ditches Twilight, effectively trading one circus for another.

by SHELBY RACHLEFF

Top 5 Things We Learned from the Fling Concert

1. Dosage Was a Surprise, And a Pleasant One, Too When the DP published a cover story on SPEC’s inability to peg down a fourth artist for Spring Fling, it was hard not to feel a bit disappointed.  Many, including your friendly music editors, were searching for a performer with more artistic pedigree.  Probably a larger contingent was hoping for a headliner with a bigger headlining name.  Dosage—the Philadelphia rapper of little fame who has toured with Lupe Fiasco in the past—filled neither of these needs.  But what he did do is arguably more important: he added a degree of serendipity and randomness to the most regimented brand of live music. Stepping on stage before Ratatat (and before most concertgoers had even arrived) Dosage’s set was a high-energy affair, masking his somewhat mediocre lyricism with a basic knack for performance.  Most students had no idea who this rapper was (trust us, we asked around), but this shouldn’t matter.  Everyone knows what to expect at a Spring Fling concert: Two or three artists will play, at least two will give a ra-ra shout-out to Penn, at least one will get the name of the school wrong (we’re looking at you, Snoop Dogg), at least a dozen kids will get carted off in ambulances and at least everyone will make a drunken, stoned mess of themselves.  What Dosage brought was something different—an unannounced opener, he took the audience off-guard.  And at a concert as predictable as Spring Fling, it’s probably the coolest thing he could have done. 2.

by DANIEL FELSENTHAL

Playlist of the Week: 4/18

Want more?

by 34TH STREET

Review: The Conspirator

Sometimes it’s better to leave the past behind.

by MICHAEL GOLD

What Musical Acts to Pull Your Self Together For In The Quad

There are 23 hours worth of performances in the Quad on Friday and Saturday.

by JOE PINSKER

Beanbag Bliss

In case you find some downtime in between the mimosa–filled morning bashes and drunkorexic downtowns of the evening this weekend, Street beckons you to pull up a beanbag chair and turn on, tune in and drop out.

by MICHAEL GOLD

On Stage in the Quad

Fling performance schedule.

by 34TH STREET

Deep Cuts: What Tracks to Know for the Fling Concert

Tracks to prepare for the concert.

by DANIEL FELSENTHAL

Interview: Hayden Panettiere

The scream queen spoke with Street about becoming a horror flick ingenue.

by KATIE GIARLA

Stall Confessions

We typically associate bathroom stall graffiti with “Call here for [some sexual act],” but the right–most men’s stall in the Fisher Fine Arts Library has nothing of the sort.

by AUSTIN LEVITT

PennConnects

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