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Arts & Entertainment

Maggie Rogers’ ‘Surrender’ Burns Bright in Its Emotional Catharsis

After a nearly three–year–long hiatus, Rogers’ sophomore album swallows you whole in the best way possible. 

by KIRA WANG

The Anatomy of an Unlikeable Female Protagonist

Zoey Deutch is a caricature of scammer culture in Hulu's ‘Not Okay.’ 

by NATALIA CASTILLO

Florist’s Self–Titled Album is a Portrait of a Band in Full Bloom

Emily Sprague and her friends’ intuitive musicianship merges with the natural world on their most immersive project to date. 

by WALDEN GREEN

Where Indie Folk Meets Film Score

Lila Dubois and Miles Tobel’s premier album, “Maybe This Is A Bad Idea” is one of cinematic, indie sound.

by EMILY MAIORANO

The Main Character's Burden

On 'The Summer I Turned Pretty,' teenage summer fantasies, and what it means to live a life of passivity. 

by SRUTHI SRINIVAS

Who's the 'Funny Girl' Now?

A casting decision bigger than Broadway: fulfilling Lea Michele's dream.

by KATE RATNER

Pictures of Space: Art That’s Out of This World?

NASA’s James Webb Space Telescope is making complicated science both accessible and beautiful.

by JULIA ESPOSITO

Yune Kim Finds the Purpose of Career Within Art

Her playfulness and wonder seeps through every aspect of her art—whether it be textbook illustrations or bunny bucket hats.

by EMILY MAIORANO

Stranger Things 4: Bigger Stakes, Same Formula

Netflix’s Golden Goose, Stranger Things, has released its fourth mega–size season that resembles a blockbuster movie more than a TV show.

by JACOB POLLACK

Stop Gatekeeping Your Favorite Artists from TikTok

We want to keep the music we love from social media circulation. Why? 

by SRUTHI SRINIVAS

Peeking Behind the Golden Curtain

America’s Got Talent faces accusations of fraud and discrimination.

by JULIA ESPOSITO

Watching ‘The Inside Outtakes’ From the Outside

As the pandemic's reign reaches ambiguous territory, Bo Burnham’s special strikes a different chord.

by RACHEL SWYM

Volume 3 of ‘Love Death + Robots’ Proves Animation is the Most Human Medium

‘Love Death + Robots’ shows that it only takes a few minutes to capture the human experience—and it doesn't matter how you do it.

by SRUTHI SRINIVAS

“In Full Bloom” Explores Sustainability in Philly

The nation’s oldest horticultural event is more than just a pretty flower show.

by EMILY MAIORANO

Make Way for gloss: A Local Band That Sparkles in Their Authenticity

This Philadelphia–born, all–female band is making their mark on the city's music scene—one glitter baptism at a time. 

by EMILY MAIORANO

Aldous Harding’s Live Show Explores a New Uncanny Valley

The folk eccentric’s set at Union Transfer was a mesmerizing, surprisingly groovy deconstruction of performance and vulnerability.

by WALDEN GREEN

The Arden's “School Girls; Or, The African Mean Girls Play" Highlights Underrepresentation in Penn's Theatre Scene

Penn's performing arts communities could learn a thing or two from “School Girls,” says rising senior Cristle Ike.

by EMILY MAIORANO

The Magnificent Mundanity of ‘Marcel the Shell with Shoes On’

The YouTube trilogy–turned–feature–length film explores grief and joy through the eyes of a tiny anthropomorphic shell.

by MEG GLADIEUX

Bittersweet to Bleak: Why Season Three of ‘Derry Girls’ Fell Short

Season three of Netflix's 'Derry Girls' lacks the rosy bittersweetness that characterizes its first two seasons.

by ALICIA LOPEZ

Is ‘SNL’ more than just satire?

Sometimes we need a clown to give us a reality check.

by SEJAL SANGANI

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