Calvin Harris has got the formula down with his newest album, “18 Months.” The Scottish DJ’s catchy electro beats have high energy and low experimentation, but they clearly work based on the popularity of two familiar tracks, “Feel So Close” and the Rihanna hit, “We Found Love,” both of which aren’t by any definition new — but they appear on the album anyway.
Yaron Zilberman’s “A Late Quartet” follows the Fugue, a famed musical ensemble struggling to stay together after its revered cellist Peter Mitchell (Christopher Walken) is diagnosed with Parkinson’s disease.
What’s the one word to describe “Psychedelic Pill”? Bland — Neil Young’s 35th studio album churns out a monotonous repetition of forgettable guitar riffs and tacky lyrics.
It’s always a good feeling — or, at least, a holistically satisfying feeling — when you leave a show with your ears ringing, covered in equal parts your own sweat, other people’s sweat, and beer. That was the case after walking out of the basement of the First Unitarian Church near 21st and Chestnut after the Titus Andronicus show, opened by hardcore –favorite Ceremony.
While Titus Andronicus is often grouped in the post– and pop–punk families, their musical influences are just as strongly rooted in indie rock. A lot of their fans were well into their twenties and preferred to inconspicuously bob their heads and sip their microbrews, while the younger crowd raucously danced right up next to the stage. Ceremony, on the other hand — a band who probably would have headlined at a more strictly punk show — brought the pissed–off adolescents in droves. The mosh pit immediately got underway when Ceremony took the stage, complete with kids running on stage and singing into the mic until someone else got up and tackled them — not necessarily my scene, but it was fun to watch Ceremony play some of their best songs from 2010's “Rohnert Park.”
Titus Andronicus released their new album, “Local Business,” only a couple days before the show, so naturally they did a few new songs to show off the material. The bulk of the show was taken from their album “The Monitor,” with which the crowd was extremely familiar. Songs like “Richard II” had everyone in full sing–along mode. They played an extremely long set — well over two hours — that vacillated between slow build–ups and rocking choruses. The crowd was extremely receptive, as has been typical at First Unitarian. The show was a great mix of two bands different enough to have distinct sets, yet with enough cohesion to not feel incongruous.
Name and Year: Christine Alix, 2013
Hometown: West Bloomfield, MI
Major(s): Fine Arts (Photography) + Communications
Website: www.christinealix.com
Blog: http://christinealix.tumblr.com
Street: How did you first get into photography?
Christine Alix: I’ve been interested in photographs for as long as I can remember.
Street: What first got you interested in screenwriting?
Lance Wildorf: Probably around eighth grade I realized I liked writing a lot and being creative, and when I was younger I wanted to be a comedian, but I realized I like the writing aspect more.