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Arts & Entertainment

Election 2012: A Cinematic Guide

One man will prove victorious in just five days. Check out Street’s favorite election–themed films and the lessons the candidates can learn from them.

by BEN LERNER

Marvelous Surroundings

Make your trip to The Marvelous a full–on adventure by stopping by some of Philly’s most diverse locations.

by ALEX HOSENBALL

DIY: Post-Halloweekend

Halloween is over, and all you have left to console yourself are now–useless costumes and the remnants of your dignity.

by MEGAN RUBEN

Interview: "Gimme the Loot" Director Adam Leon

Street: Could you give us a brief synopsis of your film? Adam Leon: It’s about two graffiti writers from the Bronx, Malcolm and Sofia.

by JACK NESSMAN

Interview: "A Late Quartet" Director Yaron Zilberman

Street sat down with the Israeli–American filmmaker at the premiere of his Philadelphia Film Festival movie at the Prince Music Theater

by SAMANTHA APFEL

Calvin Harris - "18 Months"

Calvin Harris has got the formula down with his newest album, “18 Months.” The Scottish DJ’s catchy electro beats have high energy and low experimentation, but they clearly work based on the popularity of two familiar tracks, “Feel So Close” and the Rihanna hit, “We Found Love,” both of which aren’t by any definition new — but they appear on the album anyway.

by MICHELLE MA

"A Late Quartet" Makes Sweet Music and That's About it

Yaron Zilberman’s “A Late Quartet” follows the Fugue, a famed musical ensemble struggling to stay together after its revered cellist Peter Mitchell (Christopher Walken) is diagnosed with Parkinson’s disease.

by NADINE ZYLERBERG

"Gimme the Loot" is Teenagers Tagging Things

Adam Leon's “Gimme the Loot” follows two teenage graffiti artists out to tag a New York icon.

by JACK NESSMAN

Neil Young - "Psychedelic Pill"

What’s the one word to describe “Psychedelic Pill”? Bland — Neil Young’s 35th studio album churns out a monotonous repetition of forgettable guitar riffs and tacky lyrics.

by MINJI KWAK

Concert Recap: Titus Andronicus and Ceremony

It’s always a good feeling — or, at least, a holistically satisfying feeling — when you leave a show with your ears ringing, covered in equal parts your own sweat, other people’s sweat, and beer.  That was the case after walking out of the basement of the First Unitarian Church near 21st and Chestnut after the Titus Andronicus show, opened by hardcore –favorite Ceremony. While Titus Andronicus is often grouped in the post– and pop–punk families, their musical influences are just as strongly rooted in indie rock.  A lot of their fans were well into their twenties and preferred to inconspicuously bob their heads and sip their microbrews, while the younger crowd raucously danced right up next to the stage.  Ceremony, on the other hand — a band who probably would have headlined at a more strictly punk show — brought the pissed–off adolescents in droves.  The mosh pit immediately got underway when Ceremony took the stage, complete with kids running on stage and singing into the mic until someone else got up and tackled them — not necessarily my scene, but it was fun to watch Ceremony play some of their best songs from 2010's “Rohnert Park.” Titus Andronicus released their new album, “Local Business,” only a couple days before the show, so naturally they did a few new songs to show off the material.  The bulk of the show was taken from their album “The Monitor,” with which the crowd was extremely familiar.  Songs like “Richard II” had everyone in full sing–along mode.  They played an extremely long set — well over two hours — that vacillated between slow build–ups and rocking choruses.  The crowd was extremely receptive, as has been typical at First Unitarian.  The show was a great mix of two bands different enough to have distinct sets, yet with enough cohesion to not feel incongruous.

by JACK LAVIOLETTE

Playlist of the Week: Hurricane Sandy Edition

Batten down the hatches and turn up the subwoofers, at least until the power goes out...

by ZEKE SEXAUER

Get Your Grandpa Style On

It’s fall, and there’s no season that better suits our aspirations of dressing like a dapper aging gentleman.

by EILLIE ANZILOTTI

Spinnin' (Sound)tracks

Download the score to any number of recent movies, and you may hear some familiar sounds coming through your speakers.

by SAMANTHA APFEL

Get Up Offa That (Halloween) Thing

Mask & Wig's "Tights, Camera, Action!" Iron Gate Theater 37th & Chestnut St. 10/24–10/25, 8 p.m.; 10/26–10/27, 7 p.m.

by MICHELLE MA

Punk Arcade

Ever been to a traveling DIY games exhibit? That’s what we thought. Hop on Septa and check out this alternative arcade on its last weekend in Philly.

by JACK LAVIOLETTE

Philly Photo Day: October 26

Grab your Nikon (or iPhone, or whatever) and snap a pic!

by GINA DECAGNA

Artist Profile: Christine Alix

Name and Year: Christine Alix, 2013 Hometown: West Bloomfield, MI Major(s): Fine Arts (Photography) + Communications Website:  www.christinealix.com Blog: http://christinealix.tumblr.com Street: How did you first get into photography? Christine Alix: I’ve been interested in photographs for as long as I can remember.

by 34TH STREET

Review: The Sessions

“The Sessions” follows the true journey of poet Mark O’Brien (John Hawkes), who, at age 38, finally decides to lose his virginity.

by BARUNIE KIM

Review: Holy Motors

Every year, Cannes cedes one of its Hollywood–monopolized screens for a patriotic celebration of insanity.

by ,

Moviemaker Profile: Lance Wildorf

Street: What first got you interested in screenwriting? Lance Wildorf: Probably around eighth grade I realized I liked writing a lot and being creative, and when I was younger I wanted to be a comedian, but I realized I like the writing aspect more.

by MARLEY COYNE

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