34th Street Magazine is part of a student-run nonprofit.

Please support us by disabling your ad blocker on our site.

Arts & Entertainment

‘The Eleven’ and the Ephemeral World of FKA Twigs

Twigs's exhibition at Sotheby’s once again proves her to be a genre-defying visionary. 

by LYNN YI

'Devilman Crybaby' and The Degeneracy of the Human Body

The horrific, the erotic, and the depths of human nature.

by RIA REGE

'Anora': A Dark Cinderella Story

Sean Baker’s subversion of the classic modern fairytale goes much deeper than the prince and the castle.

by JACKSON ZUERCHER

From Philadelphia to the Caribbean: Packing Barrels with Care

Penn Museum’s latest exhibition, Love Sent Across Seas, attempts to capture the immigrant experience.

by LOGAN YUHAS

If These Walls Could Talk

Chinatown's walls reveal the deeply human spirit in Philadelphia’s ever–evolving story.

by SAMEERA SINGH

'Seeking Mavis Beacon': The Silent Faces of Innovation

A journey to uncover Renée L’Espérance’s legacy becomes a celebration of Black innovation, creativity, and identity in Seeking Mavis Beacon.

by FIONA HERZOG

Why Joker: Folie à Deux Misses The Mark

Too somber to be a decent pop culture movie, too superficial to be a decent arthouse movie. 

by EVA LITITSKAIA

Halsey’s ‘The Great Impersonator’ is a Letter to God and to Herself

Structured through homages to her musical inspirations, Halsey’s newest album is visceral, jarring and shockingly intimate. 

by AMBER URENA

Dress To Impress for the Movies

Going to the movies is a special event. Why not dress up for the occasion?

by SOPHIA LEONG

Is This What Next Generation Classical Music Sounds Like?

The Detroit–based chamber orchestra is blazing a bold new path forward in the classical world.

by JO KELLY

Charts, So Confusing

Does Billboard still matter in guiding the cultural conversation?

by AMBER URENA

Japonisme Makes Its Way to the East Coast

The impressionist take on Japanese art just finished up its tour on the East Coast—it’s time to reflect. 

by SADIE DANIEL

From Hongdae To UCity: Backstage With Kapacity

We checked in with Penn’s premier Korean rock band to talk Tchaikovsky, Rosé, and intensive setlist engineering.

by WILL CAI

‘Begin Again’ poses the question: Are we creatures of repetition?

The exhibition ‘Begin Again: Repetition in Contemporary Art’ is on display at the PMA until Dec. 30, bringing light to the place of repetition in art and in life. 

by KAS BERNAYS

The Flip Side of Fixer Upper: HGTV and Gentrification

Are home makeovers and house flipping reality TV as glamorous as we think?

by DIEMMY DANG

'Bad Sisters:' Matriarchy, Mirth, and Murder

Catch up on this 2022 Irish black comedy before Season 2 comes out.

by JACKSON ZUERCHER

Dinner in America: Love for the Unruly and the Unapologetic

With punk rock, arson, and watermelon songs, Dinner in America redefines what an indie love story can be.

by KATE CHO

The Incel Theater of Geordie Greep’s 'The New Sound'

The ex–Black Midi frontman’s first solo release is exhilaratingly satirical and unbearably horny.

by WILL CAI

Anna Shoemaker Has Been Doing Some Serious Sole Searching

For this Philly native, growing pains and the  open countryside are the perfect recipe for new tunes and a little self discovery. 

by SOPHIA MIRABAL

Vince Staples Showed Up for His Black in America Tour, but Philly Didn’t Show Up for Vince

The rapper’s star–spangled performance was met with surprising silence.

by JETT BOLKER

PennConnects

Most Read