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Arts & Entertainment

Everyone’s a Winner! The 67th Grammy Awards Might Be The Most Predictable Yet

All of the major musical players of 2024 got their flowers. Well … almost all of them.

by KYLE GRGECIC

‘The Batman’ Meets ‘The Godfather’

How HBO’s The Penguin bends genre to create something new.

by RIA REGE

‘I'm Still Here’ Explores When Personal Loss Becomes Political

The Oscar–nominated Brazilian film is a gripping portrayal of loss, resilience, and the fight for justice.

by LUIZA LOUBACK

Bring Out the Pitchforks: Is Music Criticism Dead?

The era of hating professionally seems to be coming to an end—but this process can be stopped.

by AMBER URENA

FKA twigs is the Voice of a Detached, Uninspired Generation in ‘EUSEXUA’

The album gracefully balances club life and existential despair in an insightful reflection on the rave zeitgeist.

by JO KELLY

In Transit With Roy Blair’s 'Chasing Moving Trains'

The singer–songwriter’s first release in four years sounds stuck in the past, but for good reason.

by WILL CAI

Weike Wang’s ‘Rental House’ Reminds Us of the Opportunity Cost of Belonging

How do we know where to call home?

by SAMANTHA HSIUNG

Love in the Age of Sampling

In defense of borrowed brilliance and why you’ve definitely danced to it before.

by SOPHIA MIRABAL

Where to Find New Music (If TikTok Gets Banned For Real Next Time)

It’s not as easy as it sounds, unless you’re willing to do some digging.

by WILL CAI

Purring Machines: ‘Nature Never Loses’ at the ICA

The major Carl Cheng retrospective is on display until April 6

by KATRINA ITONA

GRWM: A Genre–Hopping Guide to Pregame Music

The music we get ready to is never just background noise.

by KATE HIEWON AHN

How Do We Exhibit the Fear and Fragility of Our Moment?

The Arthur Ross Gallery’s first exhibition of 2025 brings modernism’s past into our present.

by RICHARD PAGET

From Dorm Room to Dance Floor: Penn DJs Break out Beyond the Bubble

At Warehouse on Watts, these DJs showed off a little bit of madness, badness, and everything in between.

by NISHANTH BHARGAVA and SOPHIA MIRABAL

A Look Back at the Golden Age of Hip–Hop Sampling

Sampling's not “a longer term for theft." It’s art. 

by SADIE DANIEL

Sequels Suck and So Does Lil Uzi’s ‘Eternal Atake 2’

Where the original album blasted off, Uzi’s newest project crashes and burns.

by JETT BOLKER

‘The Apprentice’ Isn’t About President Donald Trump

From biopics to fictionalized political dramas, the ethics of politics–as–entertainment are murky waters—and this Trump picture’s politics are far from clear.

by ISAAC POLLOCK

Street’s Best Albums of 2024

From breakout hits to sleeper picks, Street brings you the hottest records of the year. 

by 34TH STREET MAGAZINE

Street's Favorite Film & TV of 2024

From sex–worker–centric rom–com fake–outs, to animated tearjerkers for kids, to a peek into what life is like for Whartonites post–Penn, here's what Street has been watching this year.

by 34TH STREET MAGAZINE

Orientalism and the Limits of Reimagining

Matthew Ozawa’s satirical reimagining of the classic "Madama Butterfly" subverts orientalism but at the cost of artistic merit.

by KYUNGHWAN LIM

Millionaires Go Bananas!

The infamous banana duct–taped to a wall was sold for $6.2 million. 

by PRIYANKA AGARWAL