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Arts & Entertainment

‘Veronica Mars’ Did Feminine Rage Before it was Cool

Celebrating twenty years of TV’s best not–so–bubbly blonde.

by ISAAC POLLOCK

Why is Ridley Scott Getting Ignored Again?

Just once, I would like to see the legendary director get properly appreciated in his time.

by ADEN BERGER

Printmaking in a Garage

Grab a sketch, a screen, some sun, and a makeshift squeegee, and you’re set to screen print.

by KAYLA KARMANOS

I Cried When I Saw 'The Wild Robot' And You Will Too

DreamWorks? More like waterworks!

by KYLE GRGECIC

'Kingdom': The Living Dead and the Nation’s Death Rattle

In this Korean series, zombies devouring people is an allegory for how power can devour the very society it seeks to preserve.

by KATE CHO

Yeat Flatlines On ‘Lyfestyle’

The revolutionary rage artist’s latest album fails to capitalize on any of his greatest strengths.

by WILL CAI

A Sonic Journey through the American Soul

Joshua Redman and his ensemble brought the heart of American music to life at Penn Live Arts. 

by GRIFFIN PITT

A Love Letter to 'Wicked'

'Wicked' may just be the best movie musical to hit theaters… ever.

by SOPHIA LEONG

Culture, Community, and the Rise of the Global Right at the New York Film Festival

What the festival's picks had to say about identity in the face of isolation.

by ISAAC POLLOCK and BEA HAMMAM

On the Classical ‘Pause’

What is pop music’s problem with silence?

by SOPHIA MIRABAL

The Signal is Shaking Up Penn’s Culture

I spent $11 on art at the Signal Art Fair, and what I got was priceless

by RICHARD PAGET

Cryptonomicon and the Future of Money

Neal Stephenson’s novel shows that art cannot (perfectly) predict the future

by CALEB CRAIN

Ticketmaster Killed the Radio Star

When it comes to the contemporary concert scene, maybe we should shoot the messenger. 

by SOPHIA MIRABAL

Polyphonic Perfection: The Gesualdo Six Captivate Philadelphia

Full of passion and love for their craft, the UK–based ensemble brought early English music to life on Penn's campus.

by JO KELLY

Between the Sheets and the Shackles at the 33rd Philadelphia Film Festival

Four movies' gritty look at how society controls sexuality in all the wrong ways.

by KATE CHO

‘Why Not You?’: Rob Sharenow at the Kelly Writers House

A reflection on Rob Sharenow’s talk at the Kelly Writers House about his ambiguous path to success in creative media.

by EVA LITITSKAIA

Mount Eerie Offers Us No Quarter in his ‘Night Palace’

After a five–year musical hiatus, Phil Elverum’s synthesis of the personal and political arrives with mixed success. 

by NISHANTH BHARGAVA

Spending Seasons in Stars Hollow

Gilmore Girls is a fall show, says Penn. But why?

by SOPHIA LEONG

Xiu Xiu’s Most Recent Release Is Not So Tough a Pill To Swallow

If there’s a best time to expose your friends to the evocative, experimental indie outfit, it’s now.  

by SOPHIA MIRABAL

‘The Eleven’ and the Ephemeral World of FKA Twigs

Twigs's exhibition at Sotheby’s once again proves her to be a genre-defying visionary. 

by LYNN YI