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(02/25/19 12:45am)
February is Black History Month which means there’s no time like now to watch extraordinary film and television that honors black creatives and preserves black narratives and culture. To celebrate, Hulu just released a new collection, Black Stories. Comprised of hundreds of titles, Black Stories features unique artists, histories, and stories across all genres. I’ve rounded up a list of the collection’s best five titles you need to watch ASAP.
(02/21/19 7:01pm)
The Oscar nominations were met with excitement. Black Panther got a Best Picture nomination, Alfonso Cuarón was nominated for Best Director, and both Rachel Weisz and Emma Stone were nominated for The Favourite. Perennial industry greats were nominated, including Glenn Close for The Wife and the Coen Brothers for The Ballad of Buster Scruggs. However, while the public celebrated these successes, there was a glaring omission in the list of Oscar nominations: Director Paul King’s artistic masterpiece, Paddington 2.
(03/11/19 12:48am)
I remember the first time I ever heard the phrase “manic pixie dream girl"—it was as though millions of tiny puzzle pieces clicked together in my head. It was a concept I had been aware of, something that had long frustrated me. It was the phrase that sat at the tip of my tongue for every heroine that fell flat, every female character that managed to strike just the wrong nerve. I knew something wasn’t quite right, but until that moment I was helpless when it came to articulating my grievances.
(02/12/19 5:38am)
Despite its taboo, sex is almost impossible to avoid in media, and it's especially difficult to ignore in film. Directors love to sprinkle in some gratuitous nudity or a few intimate encounters, but can you blame them? After all, sex sells, and it’ll continue to sell a lot more than any “I love you” or romantic, prolonged eye contact ever will.
(02/12/19 5:32am)
If you obsessively watched Disney movies as a kid, you know the nostalgic hold they have over us. Even now as adults, we can still find ourselves re–watching classics like Beauty and the Beast and The Little Mermaid more times than we probably should. It’s because they’re feel–good movies, with captivating animation, fantastical adventures, and the promise of true love around every corner—until you grow up a little and realize they’re not as feel–good as you once thought.
(02/12/19 12:59am)
To write about Netflix’s comedy television series, Grace and Frankie, through the lens of love appears counterintuitive. The show opens to the end of two marriages and the unlikely (and unwanted) partnership of the titular characters. It is clearly a recipe for a disaster—Grace (Jane Fonda) is a snobby, proper businesswoman and Frankie (Lily Tomlin) an eccentric, hippie artist. Their husbands, Robert and Sol (Martin Sheen and Sam Waterson), inform them over dinner that they’re gay and want get married to each other—the catalyst for the events of the sitcom. Grace and Frankie, forced to live together, are mismatched and miserable.
(02/12/19 5:47am)
The mid–2000s were not always a great moment for hip-hop. 4 of the top 10 highest–selling rap albums in 2004 belonged to Nelly, Ludacris, and Young Buck, and somehow Robin Thicke held the top spot on Billboard's "Hot R&B/Hip-Hop Songs" in 2007. However, one great thing to come out of this era is Omarion’s “Ice Box,” a collaboration between Omarion and Timbaland that puts The Weeknd’s dramatic tracks to shame.
(02/12/19 2:34am)
Sweet, tender, and adorable: Mirai is a slice–of–life/fantasy tear–jerker (if you’re feeling emotional) that might make you remember being a kid again.
(02/12/19 4:24am)
Since the dawn of tape decks, lovers have exchanged mixtapes as a sign of alternative intimacy. Cassettes, and later CDs, gave the music-sharing experience a physical form representing a desire to grow closer through the sharing of tastes.
(02/12/19 6:29am)
A great film score elevates the best parts of a film without distracting the viewer as the story unfolds. Movies with great music can grab us with one particular song, a timeless and evocative theme or vocal performance that is forever at the hip of the film it accompanies. In any case, when movies have great music, they are all the more equipped to captivate, terrify, delight, or move us to tears. What words alone can’t do, music often can, and thus, some of the most memorable scores are the ones that accompany films about love. Whether the score gently balances the other elements of the film or directly narrates the love story, movies that move us capture the sound of love through their use of music.
(02/12/19 6:46am)
Ah, February. A month full of the blistering cold and a barrage of midterms, but also a time for love. Valentine’s Day is coming up once more and cuffing season is nearing its end—so, it’s the perfect time to kick back with your honey and enjoy some love songs. Of course, one can’t assume that everything is going all fine and dandy—every relationship goes through its ups and downs, and occasionally an inkling of worry creeps into your soul. However, music has a special power to heal or strengthen the ties that bind couples together. The best medicine to your relationship woes is a few songs, compiled here, that will make your significant other fall in love with you again:
(02/12/19 4:52am)
To associate a genre such as the spy film with love is, in reality, a little bit ridiculous.
(02/12/19 9:55pm)
Need to recover from heartbreak or not getting that text back? Street has you covered with some soulful, romantic songs that will make you believe in love again this Valentine’s season.
(02/12/19 1:14am)
In Ex Machina, Caleb Smith falls in love with Ava, a humanoid robot with artificial intelligence (AI). In Her, Theodore Twombly falls in love with Samantha, a self–named operating system with AI. In Blade Runner 2049, K is in a domestic relationship with Joi, a projected hologram of Ana de Armas… with AI.
(02/11/19 1:25am)
It’s that time of year that some dread and others anticipate: Valentine’s Day. It’s time to pull out the romantic comedies, sappy love stories, popcorn, and Ben & Jerry’s to help it all go down.
(02/07/19 2:28am)
When we think about the point at which movies cross over from being popular entertainment to art cinema—the artificial division between the empty genre film and the poetic, slow–moving indie flick—where exactly do we place animated movies? The proliferation of animation as a major film–making medium has been a long process primarily driven by technological innovation. The special effects of classic films like King Kong would not have been possible without the use of stop–motion animation. Early computer–generated animated films, including Pixar’s first feature film Toy Story, have held up surprisingly well despite the great leaps in CGI technologies. In 2018, Spiderman: Into the Spiderverse garnered significant acclaim for emulating the visual style of a comic book through computer animation. In short, contemporary 3D animation is nothing less than awe–inspiring. However, in addition to innovation at the artistic and technological level, the medium of animation has been a hotbed for inventive modes of storytelling. Many of the greatest animated films in recent memory have transcended the genres and the audiences that we set on such a flexible medium, using the liberties of limitless visual invention to tell the stories that children hold with them well into adulthood.
(02/05/19 10:25pm)
In Roland Barthes’ essay, “The Death of the Author,” he asserts that critics and audiences must separate literature from its author. To acknowledge the author is to unnecessarily add background context to the piece. The phrase, “death of the author,” has come up in recent criticism around artists like J.K. Rowling and the validity of her extensive addendums to Harry Potter. Now, with the current round of Oscars coming up, we face the slight alteration of Barthes’ concepts, a proposed idea for a newer medium: The death of the director.
(02/05/19 5:07am)
Following Outlaw King, Roma, and Black Mirror: Bandersnatch, Netflix keeps its output of original productions rolling in 2019 with Velvet Buzzsaw, a satirical thriller–turned–comedy following several art world big–shots who begin commercializing a dead man’s artwork. When business begins picking up, supernatural tragedy befalls everyone who’s been involved with profiting off the dead artist, Vetril Dease.
(02/06/19 3:59am)
Mask and Wig isn't your average group–it's the oldest all–male collegiate musical comedy troupe in the country. Although it's filled with integral members such as the performers, business staff, and stage crew, the band is also crucial to tying the show together. Full of musicians from across the country, it's an eclectic group of guys who love to come together and deliver a great show, and Street got to catch up with a few members and talk about this semester's performance.
(02/05/19 2:00pm)
Sports enthusiasts have the Super Bowl. Movie buffs have the Oscars. And we music aficionados have music’s biggest night of the year—the 61st Annual Grammy Awards—to expel all that pent–up competitive energy into the universe. See how Street’s staff picks for some of the Grammy’s biggest awards measure up against your predictions and that sadly falsified list of leaked winners that surfaced on twitter last week.
