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(09/28/22 1:00pm)
Located along the banks of the Schuylkill in charming Manayunk, The Volstead by Unity is Philadelphia’s first zero proof bar. Opened in the spring of 2022, The Volstead is the newest addition to Arielle and Robert Ashford’s Unity spaces throughout Philly—all of which aim to support individuals’ health and wellbeing while creating a sense of community. They serve non alcoholic drinks in order to carve out a safe space for people who are in recovery, choose not to drink, or are just “sober–curious,” and provide delicious, 100% vegan food to support sustainability. They also employ those in recovery and returning from incarceration.
(10/03/22 1:49am)
On 13th Street lies one of Center City’s many long–running success stories: El Vez. The modest yet rambunctious Mexican restaurant, which prides itself on its “Mex–Eclectic spirit” and "bright, boisterous" nightlife, is a Philly classic, having been open for 19 years as of 2022. It’s a place that screams fun, even if it pales in comparison to Philly’s ever–growing Mexican food scene.
(09/23/22 4:00am)
Sprawling green plants—real and illustrated—usher me into the windowed entrance of Hibiscus Cafe. Located on the corner of 49th and Catharine streets, the restaurant specializes in Caribbean–inspired vegetarian dishes and a wide array of fruit drinks. Hibiscus has been open for nearly ten years, offering great options for vegan and non–vegan eaters alike.
(09/16/22 1:01am)
Kanye West interrupting Taylor Swift. Lady Gaga wearing a meat dress. Madonna and Britney Spears kissing. Miley Cyrus twerking. These are just a few of the iconic moments from past MTV Video Music Awards. In an award show that celebrates memorable music videos—from Michael Jackson’s “Thriller” to Missy Elliot’s “Work It”—the annual event is a hub for the artistic visionaries of the music industry.
(09/13/22 7:00pm)
As soon as you enter Pizzata Pizzeria, a take–out joint just a couple blocks from Rittenhouse Square, its outstanding determination for the craft of pizza–making might not be readily apparent from their simple layout. A small bit of room with a mirror for one wall and a neon pink “Welcome Pizza Lovers” sign and disco ball on the other, the New York–style pizzeria didn’t bear its praise until I got closer to the register. Once I saw articles pinned up to the wall from Thrillist and Pizza Today, I started to understand the hype.
(09/13/22 3:01pm)
Social media has ushered in the era of microtrends, where online hypervisibility attributes to the success of certain styles in the market (i.e. these trends tend to leave just as quickly as they peak). The “clean girl aesthetic,” social media’s most recent fascination, has stormed the beauty world and occupied our online feeds. Paired well with the Scandinavian streetwear style, this new trend has been largely accredited with beauty leaders like Matilda Djerf, Bella Hadid, and Hailey Bieber—it’s all about the slicked–back hair, gold hoops, clear lip gloss, and minimal makeup look. No one really knows how long this trend is planning to stick around, but it doesn’t look like it’s going anywhere anytime soon.
(09/08/22 11:55pm)
For English major and literary enthusiast James Chang (C ‘22, Law ‘26), there probably aren’t many things that are “hard to define.” A graduate of both the College’s Creative Writing concentration and PPE major, he’s pretty much a wordsmith extraordinaire. When it comes to describing the ex–Editor in Chief of the Penn Review, however, I find myself struggling to encapsulate the James Chang I’ve just met. In conversation he’s exceedingly articulate, soft–spoken, and thoughtful, possibly a result of having cut his teeth in the notoriously intense New York City prep school debate circuit.
(09/08/22 8:09pm)
Rays of sunlight peek through the canopy and a refreshing breeze rustles the leaves. Gazing further down the trail reveals a vast forest of green pine trees and curious woodland creatures peaking out to say hello. For some students, a scenic hike sounds heavenly, while others recoil at the thought.
(09/12/22 1:14am)
After decades in development hell, Neil Gaiman’s “unfilmable” magnum opus, The Sandman, has finally reached the small screen as an 11-part television series on Netflix. The Sandman is an ultra-faithful adaptation of Gaiman’s evocative, cerebral, and critically-lauded The Sandman comic book series beginning in 1989. Under Gaiman’s guidance as an executive producer and writer, the show is a near replica, regurgitating precisely what lies on the page of the comic. Yet, the show suffers from its loyalty, as it takes few creative liberties when it should feel free to rework Gaiman’s original words. With all of its consistencies, The Sandman lacks a pulse, as its writing reflects the comics’ own meager pacing.
(09/06/22 2:00pm)
K–pop as an industry is like a continually revolving door. In goes fresh blood, challenging the status quo with new ideas and sounds, and out goes the old, filled with nostalgia and memories of the distant past. As the industry favors debuting younger artists like NewJeans and Kep1er, aging groups are threatened with disbandment in an ever–competitive environment.
(09/07/22 5:26pm)
We’ve seen it time and time again: female protagonists going head to head over a guy. It’s Blair against Serena, Meredith against Addison, Peyton against Brooke, and—a more recent favorite—Kate against Edwina in season two of Bridgerton. The love triangle is often used to create tension between two female characters in film and television. This trope has been present in popular culture and storytelling practices for a very long time, and it seems as though it isn’t going away any time soon.
(09/07/22 7:00pm)
Recently, celebrities have been more empowered than ever to open up about their struggles with mental health. Musicians and actors alike, from Demi Lovato and Lizzo to Bo Burnham and Lady Gaga, have come forward and tell their stories. While openness is always welcome, there are still more steps needed to ensure that artists can feel safe and comfortable with themselves. An incident that confirms this thought is Kid Cudi’s viral departure at Rolling Loud Miami.
(09/01/22 1:00pm)
If you’ve picked up a copy of Street before, you might notice something different about this one.
(08/24/22 1:00pm)
Content warning: The following article includes mentions of eating disorders and can be disturbing or triggering for some readers. Please find resources listed at the bottom of the article.
(08/27/22 12:00pm)
Content warning: The following text describes emotional and physical assault and can be disturbing and/or triggering for some readers. Please find resources listed at the bottom of the article.
(09/01/22 11:00am)
Going to college in Philly, we're so often bombarded—on social media and IRL—with seemingly endless options for how to spend our free time. So I’m delighted to announce that Street has done the hard part for you: We’ve rounded up what we think are the can’t–miss events for the month (and you can expect more of these in the months to come) in one convenient place. If I’ve done my job right, there’ll be something in here for every one of our readers, no matter what you like to do with your weekends.
(09/02/22 10:00am)
Most pitcher–friendly: Virgin Paloma
(09/01/22 10:00am)
It’s around 10 p.m. on a Friday, and I’m shuffling my feet on the corner of 36th and Market streets outside of an imposing black storefront accentuated with magenta flowers and neon blue lightning bolts. The awning reads “Pace Blossom,” the words split by a circle of petals with a heartbeat graphic in the middle. The street is eerily quiet, save a few speeding cars, and the stanchions posted outside of the building’s doors sit stiff like security guards.
(08/18/22 1:00pm)
Bucks County, Pa. sits squarely between Philly and Trenton, N.J. Google Images will tell you that it’s a wholesome land of pumpkin patches and cutesy clapboards. But Kay Gabriel’s freewheeling narrator, Turner, will tell you the truth.
(08/18/22 10:03pm)
After the success of Thor: Ragnarok, many fans had high hopes for director Taika Waititi’s sequel Thor: Love and Thunder. However, the film released to mixed reviews, becoming one of the worst–rated Marvel Cinematic Universe (MCU) movies on Rotten Tomatoes.
