It’s no surprise that the latest interpretation of Stephen King’s “Carrie” comes after a summer of superhero flicks like “Man of Steel” and “The Wolverine.” Carrie White (Chloë Grace Moretz), who spends most of the movie developing her psychic powers while being ostracized by the popular high school crowd, could very well be the newest member of the X–men. The film stays true to its horror roots at times, but don’t expect any serious scares.
Moretz lives up to predecessor Sissy Spacek, capturing Carrie’s awkwardness, curiosity and helplessness. However, Julianne Moore steals the show as Carrie’s deranged mother, Margaret White. Margaret constantly emerges from the shadows, her presence dominating the shot each time (credit to director of photography Steve Yedlin); she is the one consistently frightening aspect of the film. Her propensity for self–harm and cold demeanor turn what should be casual moments into pure horror. The rest of the cast, unfortunately, deserves less praise.
Although writers Lawrence D. Cohen and Roberto Aguirre–Sacasa give some of Carrie’s bullies more depth and go out of their ways to craft strong female characters, scenes without Carrie or her mother feel like they’re out of “Degrassi.” Some might find the teen drama appealing, but I can’t blame anyone for dozing off during scenes about gym class and who’s going to prom.
As for Carrie’s powers, the film takes full advantage of CGI to bring them to life. Effects are used sparingly at first and gradually become more prominent as Carrie gains more control. The effects are strongest when used subtly, but still work when Carrie begins telekinetically lifting the contents of her bedroom. The excessive CG of the pivotal prom night scene weakens the impact somewhat, but Moretz’s contorted body and rage–filled expression save the scene’s awesome premise.
Although not a typical horror film, “Carrie” has something for everyone. Its teenage perspective and superhero elements make it a perfect jumping–on point for those who previously felt too intimidated by scary movies. Hardcore horror fans, however, may want to stick to Brian De Palma’s original.
Grade: B- Rating & Runtime: R, 100 min. See if you liked: "The Last Exorcism Part I"
