Myths of the Near Future is Klaxons' American debut album, lauded as the defining act of the New Rave movement - a term the band describes as "an in-joke that caught on." Hailing from London, where they have a large underground following, the Klaxons' debut starts off slow with the mild "Two Receivers" before picking up speed that doesn't relinquish for the remainder of the album.
The band likes to characterize their music as "psychedelic/progressive/pop," with long keyboard solos and subtle use of vocal harmony, which sounds surprisingly versatile. The only problem with this album is the band's repetitive melodies that sound more monotonous than anything else, and are only occasionally distinct enough to be worth the wait.
The first single off the album, "Golden Skans" is worth a definite listen for its variety of tone and electric-rock instrumentals. It is followed by "Totem On The Timeline" which sets itself apart with more prominent guitar parts and lower-toned vocals. The result is a must-listen for indie-ravers and anyone else who wants to escape traditional pop and rock for the distinct, if occasionally repetitive, sounds of Klaxons.
