Music
A Love Letter to the Queen of Love
From self–love to genuine relationships, Olivia Dean has mastered The Art of Loving.
‘Little Talks,’ Big Feelings
Of Monsters and Men brings its mature, melancholy, yet vibrant latest album to the Met—a reminder that growing up doesn’t mean giving up the magic.
Is It Time to Face the Music?
What background music says about us when we’re not listening.
ALINA’s Discography is her Diary
The 19–year–old, TikTok–born singer–songwriter turns her messiest feelings into songs worth hearing.
bbno$ by bbno$: TikTok Audios and Sample–Slop
Maybe some AI would’ve helped.
Some Holy Grails Aren’t Meant To Be Found
"Deliver us from nowhere," but not like this.
The Pop Star Will See You Now
From Olivia Rodrigo to Audrey Hobert, Gen Z’s most reliable currency might be emotional transparency.
This Queen Bee Will Never Be Royal
Lorde sells anti–mainstream energy like its luxury—and we’re all lining up to buy.
Like ‘Birds of a Feather,’ Philly Flocks to Billie Eilish
The musician’s latest local performance puts the breadth of her vocal talents on display.
Open Score: Making Music Without Barriers
The University City Chamber Collective makes chamber music accessible for all.
New Sound, Same Old Skeptics
Tame Impala just dropped the song of the season, and it’s hiding in the heart of his most divisive record yet, Deadbeat.
Truly, Truly a Sin: On Lou Reed and The Velvet Underground Twelve Years Post Mortem
A love letter to the patron saint of emotional rot.
Yes, We All ‘Fancy Some More!’
PinkPantheress’s ingenious interpolations and vast feature list on her latest release cements her as a genre–bending genius.
Leon Vynehall Goes Dark ‘In Daytona Yellow’
The English DJ–turned–producer centers the voices of others on his latest album. Sometimes they drown out his own.
The Death (and Rebirth) of the Male Popstar
How the boyband heartthrob became a bedroom penitent.
Are We Losing the Artist to Spotify?
Spotify’s use of Profitable Fit Content raises the question of what the future of the music industry looks like.
Selling Souls or Selling Records?
From Little Richard to Lil Nas X, why can’t we stop accusing artists of devil worship?
Mama, Let’s Go Back to the ‘Folklore’ Cottage
Taylor Swift’s 12th studio album shines sonically, but stumbles lyrically—and yet we just can’t help but listen.
On A Sam Fender Bender
He's not quite born to run, but God, is he fun.
