Running Away to Alaska
Jules Lingenfelter reflects on a summer spent in the final frontier, her encounters there, her revisions of self, and what she fled from in the first place.
Jules Lingenfelter reflects on a summer spent in the final frontier, her encounters there, her revisions of self, and what she fled from in the first place.
If you’re anything like Street writers, you already have a lineup of predicted winners you’re ready to bet on; our roster features Bad Bunny, Lady Gaga, Olivia Dean, and more. Read to find out why, and drop us a line if you disagree—we’re ready to battle it out.
Who would have thought? No phones make a show–going experience so much better. Gregory Alan Isakov delivered a captivating, all the more resonant performance at The Met in Philadelphia.
As fashion’s creative directors play musical chairs, the dream of the auteur faces burnout, branding, and broken contracts.
How Eastwick residents grapple with changing federal priorities, health consequences, and more in the face of frequent flooding.
A social investigation into Philly’s most popular square.
Notes From a Cuckoo Editor–in–Chief
Graphic design is former Street Design Editor Wei–An Jin’s passion, Penn preprofessionalism be damned.
Words from the man behind the camera.
Hollywood keeps running the same tired script about Asian American life: strict parents, culture clash, identity crisis, rinse, repeat. This pattern reduces such characters to struggle and excludes stories about adulthood, romance, work, or ordinary life. If we want real range, Asian American characters have to be allowed to exist outside the family–conflict starter pack.
Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.
James Cameron’s Avatar: Fire and Ash delivers the franchise’s most emotionally layered story yet, deepening its characters and political tensions even as its climactic spectacle starts to repeat itself.
Vince Gilligan’s Pluribus imagines a beautifully ordered world where loneliness, failure, and disagreement have been engineered away—and asks what that costs art, love, and autonomy. Starring Rhea Seehorn, it turns an alien apocalypse into a meditation on AI and authorship.
What recent category changes reveal about the limits placed on Black artistry.
Tim Burton would be disappointed.
Street Film & TV editor Henry Metz analyzes 2025’s comic sales charts, which reveal an industry built on relaunches, familiarity, and one unbeatable brand.
Josh Kline’s approach to political art is not what you’d expect.
Marvel’s Ultimate and DC’s Absolute universes abandon superpowered fantasies for broken systems and the pursuit of meaning in a hopeless world.
Addison Saji analyzes the evolution of the cult classic brand, Juicy Couture, from adorable trend to abomination.
Alex Nagler outlines Street’s definitive list of favorite sneakers for 2025.
Need resolutions that’ll actually make your life better? Street’s got you covered.
For better or for worse, Tony Hawk’s latest Pro Skater installment doesn’t shy away from its nostalgic value.